Douglas Rosenberg
Biographic Data
| ID | 5891731 |
|---|---|
| NAME | Douglas Rosenberg |
| GIVEN NAMES | Douglas |
| FAMILY NAME | Rosenberg |
| SIGNATURE | ROSENBERG D |
| AFFILIATIONS | University of Wisconsin–Madison |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Making Television Dance (Again)
No abstract available
Evolving the field
No abstract available
Reflections on Regards Hybrides, an International Forum (2019, Second Edition)
No abstract available
Self Portraits (As a Jew)
How does one pass as Jewish? What are the signs? How many layers of costume and persona does it take to be perceived as Jewish? The bearded Jew, devil horns, Jewish noses, and other such accouterments and myths are the materiality of this series of self portraits
Curating the practice/the practice of curating
As screendance increases in popularity and new international festivals regularly emerge, what is curiously absent in most festivals is an identifiable curatorial point of view. Curation is not only missing from the festival circuit but also in most situations where one encounters screendance itself. Also absent are the attendant offspring that curation generates, such as catalogues, essays, critique and other intellectual ephemera that create the…
Video Space
Since the advent of the film art form, the author finds, cinema and dance have engaged in an al-most unbroken courtship, each appropriating techniques and styles from the object of affec-tion. A hybrid form, video dance, has resulted; its recording me-dium may be thought of as its site. The architecture of this site provides a distinctive context for the critique of dances created for it. The collaborative process nec-essary to realize the potent…
No prominent works on this page.
Video Space
Since the advent of the film art form, the author finds, cinema and dance have engaged in an al-most unbroken courtship, each appropriating techniques and styles from the object of affec-tion. A hybrid form, video dance, has resulted; its recording me-dium may be thought of as its site. The architecture of this site provides a distinctive context for the critique of dances created for it. The collaborative process nec-essary to realize the potent…
Curating the practice/the practice of curating
As screendance increases in popularity and new international festivals regularly emerge, what is curiously absent in most festivals is an identifiable curatorial point of view. Curation is not only missing from the festival circuit but also in most situations where one encounters screendance itself. Also absent are the attendant offspring that curation generates, such as catalogues, essays, critique and other intellectual ephemera that create the…
Self Portraits (As a Jew)
How does one pass as Jewish? What are the signs? How many layers of costume and persona does it take to be perceived as Jewish? The bearded Jew, devil horns, Jewish noses, and other such accouterments and myths are the materiality of this series of self portraits
Evolving the field
No abstract available
Reflections on Regards Hybrides, an International Forum (2019, Second Edition)
No abstract available
Making Television Dance (Again)
No abstract available
Art (4 works) · Computer Science (3 works) · Visual arts (3 works) · Cinema and Media Studies (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Aesthetics (1 work) · Architecture (1 work) · Architecture (1 work) · Art history (1 work)