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Jon Ippolito

Biographic Data

ID5891884
NAMEJon Ippolito
GIVEN NAMESJon
FAMILY NAMEIppolito
SIGNATUREIPPOLITO J
AFFILIATIONSUniversity of Maine
ORCID0000-0002-0748-9887
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Crypto-Preservation and the Ghost of Andy Warhol

    Open Access•Jon Ippolito•ARTICLE•Arts•2022

    For its enthusiasts, the blockchain is an archivist’s dream come true: an immutable historical record that is publicly accessible and immune from censorship. Distributed file systems such as IPFS aim to store creative works in a redundant, networked fashion outside the control of any single cloud provider. Projects designed to work with blockchains such as Filecoin and Arweave propose a dedicated cryptocurrency as financial incentive to support t…

  • When the Rich Don't Get Richer

    John Bell, Jon Ippolito•ARTICLE•Leonardo•2011

    Analysis of the collaborative online environment The Pool suggests that inequalities in some creative networks may level out over time due to the long-term effects of user ratings

  • New Criteria for New Media

    Jon Ippolito, Joline Blais et al.•ARTICLE•Leonardo•2009

    This paper argues for redefining evaluation criteria for faculty working in new media research and makes specific recommendations for promotion and tenure committees in U.S. universities

  • Ten Myths of Internet Art

    Jon Ippolito•ARTICLE•Leonardo•2002

    This article identifies ten myths about Internet Art, and explains the difficulties museums and others have understanding what it means to make art for the Internet. In identifying these common misconceptions, the author offers insight on successful online works, provides inspiration to Internet artists, and explains that geographical location does not measure success when making art for the Internet. The article also mentions that the World Wide…

  • Whatever Happened to the Gift Economy

    Jon Ippolito•ARTICLE•Leonardo•2001

    Leonardo - Volume 34, Number 2, April 2001

  • Answers And Questions About Digital Collaboration

    Janet Cohen, Keith Frank et al.•ARTICLE•Afterimage•1999

    Essay| December 01 1999 Answers And Questions About Digital Collaboration Janet Cohen, Janet Cohen Search for other works by this author on: This Site PubMed Google Scholar Keith Frank, Keith Frank Search for other works by this author on: This Site PubMed Google Scholar Jon Ippolito Jon Ippolito When they are not busy arguing with each other, Janet Cohen makes her own art independently, Keith Frank practices Web design and programming and JON IP…

No prominent works on this page.

  • Answers And Questions About Digital Collaboration

    Janet Cohen, Keith Frank et al.•ARTICLE•Afterimage•1999

    Essay| December 01 1999 Answers And Questions About Digital Collaboration Janet Cohen, Janet Cohen Search for other works by this author on: This Site PubMed Google Scholar Keith Frank, Keith Frank Search for other works by this author on: This Site PubMed Google Scholar Jon Ippolito Jon Ippolito When they are not busy arguing with each other, Janet Cohen makes her own art independently, Keith Frank practices Web design and programming and JON IP…

  • Whatever Happened to the Gift Economy

    Jon Ippolito•ARTICLE•Leonardo•2001

    Leonardo - Volume 34, Number 2, April 2001

  • Ten Myths of Internet Art

    Jon Ippolito•ARTICLE•Leonardo•2002

    This article identifies ten myths about Internet Art, and explains the difficulties museums and others have understanding what it means to make art for the Internet. In identifying these common misconceptions, the author offers insight on successful online works, provides inspiration to Internet artists, and explains that geographical location does not measure success when making art for the Internet. The article also mentions that the World Wide…

  • New Criteria for New Media

    Jon Ippolito, Joline Blais et al.•ARTICLE•Leonardo•2009

    This paper argues for redefining evaluation criteria for faculty working in new media research and makes specific recommendations for promotion and tenure committees in U.S. universities

  • When the Rich Don't Get Richer

    John Bell, Jon Ippolito•ARTICLE•Leonardo•2011

    Analysis of the collaborative online environment The Pool suggests that inequalities in some creative networks may level out over time due to the long-term effects of user ratings

  • Crypto-Preservation and the Ghost of Andy Warhol

    Open Access•Jon Ippolito•ARTICLE•Arts•2022

    For its enthusiasts, the blockchain is an archivist’s dream come true: an immutable historical record that is publicly accessible and immune from censorship. Distributed file systems such as IPFS aim to store creative works in a redundant, networked fashion outside the control of any single cloud provider. Projects designed to work with blockchains such as Filecoin and Arweave propose a dedicated cryptocurrency as financial incentive to support t…

Computer Science (5 works) · Art (4 works) · World Wide Web (4 works) · Art history (3 works) · Art History and Market Analysis (3 works) · Cultural Industries and Urban Development (3 works) · Aesthetic Perception and Analysis (2 works) · Citation (2 works) · Download (2 works) · Icon (2 works)

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