Chris Henschke
Biographic Data
| ID | 5891945 |
|---|---|
| NAME | Chris Henschke |
| GIVEN NAMES | Chris |
| FAMILY NAME | Henschke |
| SIGNATURE | HENSCHKE C |
| AFFILIATIONS | Chris Henschke, Royal Melbourne Institute of Technology, Melbourne, PO Box 338, Brunswick VIC 3056, Australia. Email: [email protected]. |
| ORCID | 0000-0003-1033-0022 |
| VERIFIED | Yes |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Abstracts from the Spectra 2018 Symposium Part 8
Arts practices that engage with submolecular scales encounter issues of temporality, materiality and perceptibility. Consequently, these creative practices interrogate the instrumental processes that mediate our experience of the imperceptible, at times creating hybrid ArtScience techniques and processes. Nanoscience and nanotechnology influence artists practicing across sculpture, installation, painting, animation and media arts, including panel…
No prominent works on this page.
Abstracts from the Spectra 2018 Symposium Part 8
Arts practices that engage with submolecular scales encounter issues of temporality, materiality and perceptibility. Consequently, these creative practices interrogate the instrumental processes that mediate our experience of the imperceptible, at times creating hybrid ArtScience techniques and processes. Nanoscience and nanotechnology influence artists practicing across sculpture, installation, painting, animation and media arts, including panel…
Aesthetics (1 work) · Animation (1 work) · Art (1 work) · Building materials and conservation (1 work) · Computer Science (1 work) · Epistemology (1 work) · Exhibition (1 work) · Facial Trauma and Fracture Management (1 work) · Human–computer interaction (1 work) · Materiality (auditing) (1 work)