Francois Molnar
Biographic Data
| ID | 5892090 |
|---|---|
| NAME | Francois Molnar |
| GIVEN NAMES | Francois |
| FAMILY NAME | Molnar |
| SIGNATURE | MOLNAR F |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 1997 |
| H-INDEX | 1 |
A Science of Vision for Visual Art
The author discusses the discipline of scientific aesthetics, also known as empirical aesthetics or the science of art, which combines sociology, physiology and psychology. He posits that aesthetic effect is an affective response, a reaction to a stimulus from the outside world, passing through the sensory channels. Thus, the reaction to a visual artwork begins with the perceptual process of vision and includes two stages: a sensory part and a co…
Noise, Form, Art
The concept of form is of the most exciting notions that human consciousness has created, developed and manipulated. It is, in the words of Colin Cherry, one of those rare bridges between science and art [1]. The concept of form, in the broadest sense of the word, is reduced by computer scientists to a lack of randomness within an organised set of elements. By this measure, the fundamental property of form is a negative one: nonrandomness. Comput…
L'Ordinateur et les arts visuels
Experimental Aesthetics
Experimental Aesthetics or the Science of Art
The author discusses the part of philosophy called aesthetics and points out the difference between factual science and the philosophy of essence. He finds that the philosophy of essence is of no use in helping artists or other creative individuals to find really valuable paths to follow among the vast number of theoretically possible paths. He finds that such guidance can be found only through a better understanding of relevant facts by resortin…
Creation picturale et ordre cerebral
Noise, Form, Art
The concept of form is of the most exciting notions that human consciousness has created, developed and manipulated. It is, in the words of Colin Cherry, one of those rare bridges between science and art [1]. The concept of form, in the broadest sense of the word, is reduced by computer scientists to a lack of randomness within an organised set of elements. By this measure, the fundamental property of form is a negative one: nonrandomness. Comput…
Creation picturale et ordre cerebral
Experimental Aesthetics
Experimental Aesthetics or the Science of Art
The author discusses the part of philosophy called aesthetics and points out the difference between factual science and the philosophy of essence. He finds that the philosophy of essence is of no use in helping artists or other creative individuals to find really valuable paths to follow among the vast number of theoretically possible paths. He finds that such guidance can be found only through a better understanding of relevant facts by resortin…
L'Ordinateur et les arts visuels
Noise, Form, Art
The concept of form is of the most exciting notions that human consciousness has created, developed and manipulated. It is, in the words of Colin Cherry, one of those rare bridges between science and art [1]. The concept of form, in the broadest sense of the word, is reduced by computer scientists to a lack of randomness within an organised set of elements. By this measure, the fundamental property of form is a negative one: nonrandomness. Comput…
A Science of Vision for Visual Art
The author discusses the discipline of scientific aesthetics, also known as empirical aesthetics or the science of art, which combines sociology, physiology and psychology. He posits that aesthetic effect is an affective response, a reaction to a stimulus from the outside world, passing through the sensory channels. Thus, the reaction to a visual artwork begins with the perceptual process of vision and includes two stages: a sensory part and a co…
Art (5 works) · Aesthetic Perception and Analysis (4 works) · Computer Science (3 works) · Aesthetics (2 works) · Artificial Intelligence (2 works) · Artificial Intelligence (2 works) · Color perception and design (2 works) · Visual arts (2 works) · Visual perception and processing mechanisms (2 works) · Art history (1 works)