Chi-Min Hsieh
Biographic Data
| ID | 5892187 |
|---|---|
| NAME | Chi-Min Hsieh |
| GIVEN NAMES | Chi-Min |
| FAMILY NAME | Hsieh |
| SIGNATURE | HSIEH C |
| AFFILIATIONS | (ACROE & ICA-Institut National Polytechnique de Grenoble, 46 av. Felix Viallet, Grenoble, 38034, France).. |
| ORCID | 0000-0003-2870-8679 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Splendor of Plainness
The authors thoroughly examine the creative process behind UKON, which uses computer simulation to reinterpret the Song Dynasty’s aesthetic of “plainness.” By treating random numbers as representations of Qi, the artwork undergoes a transformation that both complicates and simplifies its visual elements. This approach not only transcends simple visual depiction but also reflects a profound exploration of “the extreme splendor of plainness,” captu…
Analysis of Facial Feature Design for 3D Animation Characters
The facial features of animation characters convey information about the characters to audiences and make the characters more believable. Using multidimensional scaling, this study analyzed the differences in the facial features of 332 three-dimensional characters from the top-100 grossing animation films at the international box office. We also explored whether top character designers follow implicit design principles that vary with the gender, …
Fluente
In the virtual choreography, “Fluente”, the human material body is no more solid as we see, but is fluid as we imagine. One can see motion flows through the material body, because all the fluid motions are consequent on the energy transmission. Furthermore, the energy transmission does not only exist on one individual, but also exist among groups gradually and continually underlain the energetic conservation. Dancers exercise their body everyday …
No prominent works on this page.
Fluente
In the virtual choreography, “Fluente”, the human material body is no more solid as we see, but is fluid as we imagine. One can see motion flows through the material body, because all the fluid motions are consequent on the energy transmission. Furthermore, the energy transmission does not only exist on one individual, but also exist among groups gradually and continually underlain the energetic conservation. Dancers exercise their body everyday …
Analysis of Facial Feature Design for 3D Animation Characters
The facial features of animation characters convey information about the characters to audiences and make the characters more believable. Using multidimensional scaling, this study analyzed the differences in the facial features of 332 three-dimensional characters from the top-100 grossing animation films at the international box office. We also explored whether top character designers follow implicit design principles that vary with the gender, …
The Splendor of Plainness
The authors thoroughly examine the creative process behind UKON, which uses computer simulation to reinterpret the Song Dynasty’s aesthetic of “plainness.” By treating random numbers as representations of Qi, the artwork undergoes a transformation that both complicates and simplifies its visual elements. This approach not only transcends simple visual depiction but also reflects a profound exploration of “the extreme splendor of plainness,” captu…
Artificial Intelligence (3 works) · Computer Science (3 works) · Art (2 works) · Artificial Intelligence (2 works) · Animation (1 work) · Art, Technology, and Culture (1 work) · Biology (1 work) · Chaos, Complexity, and Education (1 work) · Choreography (1 work) · Cognitive Science and Education Research (1 work)