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Aldo d'Angelo

Biographic Data

ID5892492
NAMEAldo d'Angelo
GIVEN NAMESAldo
FAMILY NAMEd'Angelo
SIGNATUREANGELO A D
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR1993
H-INDEX0
  • Ghost Machine

    Aldo d'Angelo, Lilias Green•ARTICLE•Leonardo•1993

    The author describes how his interest in form and light relates to mathematics. His use of a modest optical computer, based on the Fourier transform system, to construct images for films and two- and three-dimensional artworks is discussed. Studies in the mechanics of visual perception, of optics and of certain mathematical models and ideas have influenced his artistic experiments. He uses lasers and image-processing techniques to visualize some …

  • The Search for 'Real' Form

    Aldo d'Angelo•ARTICLE•Leonardo•1989

    My early experiences with photography led me to understand the distinction between 'real' form and its appearance in time and space. As a young graphic designer, I shot landscapes colored with various filters and still lifes exposed by moving light (Fig. 1). Little did I know that the primitive hand-held scanner I was using-a small flashlight-would anticipate much of my later work. Working with the camera as a technical tool enriched my perceptio…

No prominent works on this page.

  • The Search for 'Real' Form

    Aldo d'Angelo•ARTICLE•Leonardo•1989

    My early experiences with photography led me to understand the distinction between 'real' form and its appearance in time and space. As a young graphic designer, I shot landscapes colored with various filters and still lifes exposed by moving light (Fig. 1). Little did I know that the primitive hand-held scanner I was using-a small flashlight-would anticipate much of my later work. Working with the camera as a technical tool enriched my perceptio…

  • Ghost Machine

    Aldo d'Angelo, Lilias Green•ARTICLE•Leonardo•1993

    The author describes how his interest in form and light relates to mathematics. His use of a modest optical computer, based on the Fourier transform system, to construct images for films and two- and three-dimensional artworks is discussed. Studies in the mechanics of visual perception, of optics and of certain mathematical models and ideas have influenced his artistic experiments. He uses lasers and image-processing techniques to visualize some …

Computer Science (2 works) · Architecture and Computational Design (1 work) · Art (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work) · Chaos, Complexity, and Education (1 work) · Computer graphics (images) (1 work) · Computer vision (1 work) · Design Education and Practice (1 work)

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