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Paul Sermon

Biographic Data

ID5892906
NAMEPaul Sermon
GIVEN NAMESPaul
FAMILY NAMESermon
SIGNATURESERMON P
AFFILIATIONSUniversity of Brighton
ORCID0000-0002-0827-5258
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Reframing videotelephony through coexistence and empathy in the third space

    Open Access•Paul Sermon•ARTICLE•International Journal of…•2024

    Predicated on the telephone, the history of videotelephony has continually adopted a two-way model of communication between 'newsreader' participants, confined to boxes on a screen.This article identifies philosophical approaches and practical solutions to overcome this 'horseless-carriage' syndrome using a phenomenological methodology to reframe the concept of videotelephony as a third space encounter through the author's telematic art practice.…

  • A Telepresence Stage: Or how to create theatre in a pandemic – project report

    Open Access•Paul Sermon, Steve Dixon et al.•ARTICLE•International Journal of…•2021

    This report describes the authors’ research project ‘Telepresence Stage’, funded by the Arts and Humanities Research Council’s (AHRC) ‘COVID-19 Rapid Response’ scheme. The project aims to develop effective and affordable new approaches to connect performers from their separate homes and place them within virtual sets online where they can rehearse and perform together. The report discusses the history of telematic performance and explains how thi…

  • All the World’s a Screen, featuring: The seven stages of man

    Charlotte Gould, Paul Sermon•ARTICLE•International Journal of…•2013

    Charlotte Gould and Paul Sermon developed and presented this collaborative new artwork entitled All the World’s a Screen, a live interactive telecommunications performance, to link public audiences in Manchester and Barcelona. On the evening of Saturday 28 May 2011 participants at MadLab in Manchester’s Northern Quarter and Hangar Artist Studios in Poblenou, Barcelona were joined together on-screen for the first time to create their very own inte…

  • The Teleporter Zone: Interactive Media Arts in the Healthcare Context

    Paul Sermon•ARTICLE•Leonardo•2007•References: 1

    The author discusses the recent development and implementation of The Teleporter Zone, a permanent interactive art installation commissioned by Guy's and St Thomas' Charity for the new Evelina Children's Hospital in London. The article places the production and conception of this installation in the context of the author's research in telematic and telepresent art over the past 15 years, alongside current research reports on the effects and influ…

  • Telematic Dreaming

    Paul Sermon•ARTICLE•Leonardo•2000

    April 01 2000 Telematic Dreaming Paul Sermon Paul Sermon Search for other works by this author on: This Site Google Scholar Author and Article Information Paul Sermon Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2000 ISAST2000 Leonardo (2000) 33 (2): 90. https://doi.org/10.1162/leon.2000.33.2.90 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementa…

  • The Inter-Communication Center of Tokyo, Japan

    Axel Mulder, Paul Sermon•ARTICLE•Leonardo Music Journal•1998

  • Think about the People Now/Think about the Media Now

    Paul Sermon•ARTICLE•Leonardo•1993

    Fig. 3. Jim Rosenberg, screen dump from Intergram 9, poetry (for Macintosh computers), 1992. The Intergrams are dense poems with an altered linguistic structure that are built up in layers with bit-mapped graphics. ment during the incident represents conflicting perceptions of the event. The hypermedia environment, projected onto a screen by a video projector, forms one half of this installation. On the reverse side of this screen, another video …

  • Earth Signals

    Paul Sermon•ARTICLE•Leonardo•1992

No prominent works on this page.

  • Earth Signals

    Paul Sermon•ARTICLE•Leonardo•1992

  • Think about the People Now/Think about the Media Now

    Paul Sermon•ARTICLE•Leonardo•1993

    Fig. 3. Jim Rosenberg, screen dump from Intergram 9, poetry (for Macintosh computers), 1992. The Intergrams are dense poems with an altered linguistic structure that are built up in layers with bit-mapped graphics. ment during the incident represents conflicting perceptions of the event. The hypermedia environment, projected onto a screen by a video projector, forms one half of this installation. On the reverse side of this screen, another video …

  • The Inter-Communication Center of Tokyo, Japan

    Axel Mulder, Paul Sermon•ARTICLE•Leonardo Music Journal•1998

  • Telematic Dreaming

    Paul Sermon•ARTICLE•Leonardo•2000

    April 01 2000 Telematic Dreaming Paul Sermon Paul Sermon Search for other works by this author on: This Site Google Scholar Author and Article Information Paul Sermon Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2000 ISAST2000 Leonardo (2000) 33 (2): 90. https://doi.org/10.1162/leon.2000.33.2.90 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementa…

  • The Teleporter Zone: Interactive Media Arts in the Healthcare Context

    Paul Sermon•ARTICLE•Leonardo•2007•References: 1

    The author discusses the recent development and implementation of The Teleporter Zone, a permanent interactive art installation commissioned by Guy's and St Thomas' Charity for the new Evelina Children's Hospital in London. The article places the production and conception of this installation in the context of the author's research in telematic and telepresent art over the past 15 years, alongside current research reports on the effects and influ…

  • All the World’s a Screen, featuring: The seven stages of man

    Charlotte Gould, Paul Sermon•ARTICLE•International Journal of…•2013

    Charlotte Gould and Paul Sermon developed and presented this collaborative new artwork entitled All the World’s a Screen, a live interactive telecommunications performance, to link public audiences in Manchester and Barcelona. On the evening of Saturday 28 May 2011 participants at MadLab in Manchester’s Northern Quarter and Hangar Artist Studios in Poblenou, Barcelona were joined together on-screen for the first time to create their very own inte…

  • A Telepresence Stage: Or how to create theatre in a pandemic – project report

    Open Access•Paul Sermon, Steve Dixon et al.•ARTICLE•International Journal of…•2021

    This report describes the authors’ research project ‘Telepresence Stage’, funded by the Arts and Humanities Research Council’s (AHRC) ‘COVID-19 Rapid Response’ scheme. The project aims to develop effective and affordable new approaches to connect performers from their separate homes and place them within virtual sets online where they can rehearse and perform together. The report discusses the history of telematic performance and explains how thi…

  • Reframing videotelephony through coexistence and empathy in the third space

    Open Access•Paul Sermon•ARTICLE•International Journal of…•2024

    Predicated on the telephone, the history of videotelephony has continually adopted a two-way model of communication between 'newsreader' participants, confined to boxes on a screen.This article identifies philosophical approaches and practical solutions to overcome this 'horseless-carriage' syndrome using a phenomenological methodology to reframe the concept of videotelephony as a third space encounter through the author's telematic art practice.…

Art (6 works) · Computer Science (5 works) · Visual arts (4 works) · Sociology (3 works) · Telecommunications (3 works) · History (2 works) · Media and Digital Communication (2 works) · Media studies (2 works) · Multimedia Communication and Technology (2 works) · Psychology (2 works)

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