Jonathan C Fish
Biographic Data
| ID | 5892947 |
|---|---|
| NAME | Jonathan C Fish |
| GIVEN NAMES | Jonathan C |
| FAMILY NAME | Fish |
| SIGNATURE | FISH J C |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 1990 |
| H-INDEX | 1 |
Amplifying the Mind's Eye
Although new technology is widely used for detailed design and image manipulation, its use in the early stages of visual invention is much less common, one reason being that the denotation systems used in paper-and-pencil sketching assist creativity in ways that are poorly understood. Leonardo da Vinci advocated the use of untidy indeterminacies for working out composition, because he believed that they stimulated visual invention. Recent researc…
Microcomputer Interfacing Handbook
Colour as Sensation in Visual Art and in Science
Contemporary colour science and colour art are, for the most part, on separate paths in spite of strong reasons for unity and collaboration. It is argued that this schism is not based on any intrinsic incompatibility, but on causes that are symptomatic of a disorientated culture. These causes are recent in origin and may be classified into those that are common to art or to science, in general, and those that are peculiar to the subject of colour…
The Interpretation of Visual Motion
Color Theory and Its Application in Art and Design
Amplifying the Mind's Eye
Although new technology is widely used for detailed design and image manipulation, its use in the early stages of visual invention is much less common, one reason being that the denotation systems used in paper-and-pencil sketching assist creativity in ways that are poorly understood. Leonardo da Vinci advocated the use of untidy indeterminacies for working out composition, because he believed that they stimulated visual invention. Recent researc…
Color Theory and Its Application in Art and Design
Colour as Sensation in Visual Art and in Science
Contemporary colour science and colour art are, for the most part, on separate paths in spite of strong reasons for unity and collaboration. It is argued that this schism is not based on any intrinsic incompatibility, but on causes that are symptomatic of a disorientated culture. These causes are recent in origin and may be classified into those that are common to art or to science, in general, and those that are peculiar to the subject of colour…
The Interpretation of Visual Motion
Microcomputer Interfacing Handbook
Amplifying the Mind's Eye
Although new technology is widely used for detailed design and image manipulation, its use in the early stages of visual invention is much less common, one reason being that the denotation systems used in paper-and-pencil sketching assist creativity in ways that are poorly understood. Leonardo da Vinci advocated the use of untidy indeterminacies for working out composition, because he believed that they stimulated visual invention. Recent researc…
Art (3 works) · Computer Science (3 works) · Aesthetics (2 works) · Cognitive psychology (2 works) · Color perception and design (2 works) · Multisensory perception and integration (2 works) · Psychology (2 works) · Visual arts (2 works) · Aesthetic Perception and Analysis (1 work) · Architectural engineering (1 work)