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Kathryn Farley

Biographic Data

ID5893148
NAMEKathryn Farley
GIVEN NAMESKathryn
FAMILY NAMEFarley
SIGNATUREFARLEY K
AFFILIATIONSGeorgia Institute of Technology
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2016
H-INDEX0
  • Using Relationships as Resources in Social Impact Investing

    Kathryn E Webb Farley, Kathryn Farley et al.•ARTICLE•Journal of Appalachian Studies•2016

    To better understand the implementation of investments aimed at producing sustainable food systems across rural counties in Appalachia, particularly during the early phase of the movement, this study explores the perceptions of fifteen organizations that received grant funding. Studying local food systems is of interest because they have the unique characteristic of encompassing multiple aspects of social impact investing, including goals that ma…

  • Augmenting Creative Realities

    Kathryn Farley, Michael Nitsche et al.•ARTICLE•Leonardo•2009•References: 7

    This article discusses the development of a new interface that allows for the creation of mixed-reality performances. It details the features of the new technology, charts the ways in which the interface has been used in rehearsal sessions and describes how the technology functions as an innovative tool for creative expression

  • Digital Performance

    Kathryn Farley•ARTICLE•Theatre Journal•2007

    Reviewed by: Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation Kathryn Farley Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. By Steve Dixon, with contributions by Barry Smith . Cambridge: MIT Press, 2007; pp. xv + 809. $50.00 cloth. Steve Dixon and Barry Smith's provocative and thoughtful book provides an introduction to and solid grounding in the th…

  • Faust/How I Rose (review)

    Kathryn Farley•ARTICLE•Theatre Journal•2005

    Reviewed by: Faust/How I Rose Kathryn Farley Faust/How I Rose. Directed by Martin Acosta and written by John Jesurun. 2004 Next Wave Festival. Harvey Theatre, Brooklyn Academy of Music. 20112004. New York–based playwright/multimedia conceptualist John Jesurun has crafted a radically modern notion of theatre, in part by refusing to make sense or meaning of the messiness of contemporary life. His is a world of pixilated perceptions in constant flux…

  • Doors Open on the Right, and

    Kathryn E Webb Farley, Kathryn Farley•ARTICLE•Theatre Journal•2005

  • Digital Dance Theatre

    Open Access•Kathryn Farley•ARTICLE•Body, Space & Technology•2002

    This paper uncovers the ways in which Troika Ranch artists, by integrating emerging digital technologies as integral components of live performance, are reshaping dance theatre practices in the twenty-first-century. It begins with an overview of the 2002 Summer Live-Interactive workshop. Next, I explore specific interactive technologies both designed and employed by Troika Ranch artists. I then consider the company’s mission of integrating media …

No prominent works on this page.

  • Digital Dance Theatre

    Open Access•Kathryn Farley•ARTICLE•Body, Space & Technology•2002

    This paper uncovers the ways in which Troika Ranch artists, by integrating emerging digital technologies as integral components of live performance, are reshaping dance theatre practices in the twenty-first-century. It begins with an overview of the 2002 Summer Live-Interactive workshop. Next, I explore specific interactive technologies both designed and employed by Troika Ranch artists. I then consider the company’s mission of integrating media …

  • Faust/How I Rose (review)

    Kathryn Farley•ARTICLE•Theatre Journal•2005

    Reviewed by: Faust/How I Rose Kathryn Farley Faust/How I Rose. Directed by Martin Acosta and written by John Jesurun. 2004 Next Wave Festival. Harvey Theatre, Brooklyn Academy of Music. 20112004. New York–based playwright/multimedia conceptualist John Jesurun has crafted a radically modern notion of theatre, in part by refusing to make sense or meaning of the messiness of contemporary life. His is a world of pixilated perceptions in constant flux…

  • Doors Open on the Right, and

    Kathryn E Webb Farley, Kathryn Farley•ARTICLE•Theatre Journal•2005

  • Digital Performance

    Kathryn Farley•ARTICLE•Theatre Journal•2007

    Reviewed by: Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation Kathryn Farley Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. By Steve Dixon, with contributions by Barry Smith . Cambridge: MIT Press, 2007; pp. xv + 809. $50.00 cloth. Steve Dixon and Barry Smith's provocative and thoughtful book provides an introduction to and solid grounding in the th…

  • Augmenting Creative Realities

    Kathryn Farley, Michael Nitsche et al.•ARTICLE•Leonardo•2009•References: 7

    This article discusses the development of a new interface that allows for the creation of mixed-reality performances. It details the features of the new technology, charts the ways in which the interface has been used in rehearsal sessions and describes how the technology functions as an innovative tool for creative expression

  • Using Relationships as Resources in Social Impact Investing

    Kathryn E Webb Farley, Kathryn Farley et al.•ARTICLE•Journal of Appalachian Studies•2016

    To better understand the implementation of investments aimed at producing sustainable food systems across rural counties in Appalachia, particularly during the early phase of the movement, this study explores the perceptions of fifteen organizations that received grant funding. Studying local food systems is of interest because they have the unique characteristic of encompassing multiple aspects of social impact investing, including goals that ma…

Computer Science (4 works) · Art (3 works) · Multimedia (3 works) · Theatre and Performance Studies (3 works) · Visual arts (3 works) · Dance (2 works) · Digital media (2 works) · Political science (2 works) · World Wide Web (2 works) · Aesthetics (1 work)

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