Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Isabel Wünsche

Biographic Data

ID5893736
NAMEIsabel Wünsche
GIVEN NAMESIsabel
FAMILY NAMEWünsche
SIGNATUREWÜNSCHE I
AFFILIATIONSProfessor of Art and Art History, Jacobs University Bremen, [email protected]
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT1
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Liquid Crystals, Theories of Life and Visual Perception in the Russian Avant-Garde

    Isabel Wünsche•ARTICLE•Leonardo•2021

    In the early twentieth century, Russian avant-garde artists, largely based in St. Petersburg, turned their attention to the natural world and the need for a new, absolute art based not on the copying of nature but instead on its universal laws and organic principles [1]. Their aesthetics were informed by pantheist, neovitalist and monist ideas combined with evolutionary thought and scientific knowledge from the fields of physics, biology, physiol…

  • Artistic Communities and Educational Approaches in Nineteenth- and Early Twentieth-Century Russia

    Ludmila Piters-Hofmann, Isabel Wünsche•ARTICLE•Russian History•2019

  • Pavel Chistiakov and Jan Ciągliński

    Isabel Wünsche•ARTICLE•Russian History•2019

    This essay looks at art education in Russia in the nineteenth century, specifically at artist-training practices at institutions such as the Imperial Academy of Fine Arts and the Imperial Society for the Encouragements of the Arts in St. Petersburg. Particular emphasis is on the role and significance of Pavel Chistiakov and Jan Ciągliński, charismatic teachers who developed their distinct art-pedagogical systems as an alternative to the existing …

  • Art/Histories in Transcultural Dynamics

    Juliane Noth, Shigemi Inaga et al.•BOOK•Art/Histories in Transcultural…•2017

  • Biocentrism and Modernism

    OliverA I Botar, Oliver A I Botar et al.•BOOK•Biocentrism and Modernism•2017

    Contents: Introduction: biocentrism as a constituent element of modernism, Oliver A.I. Botar and Isabel WA nsche Defining biocentrism, Oliver A.I. Botar Rereading bioromanticism, Monika Wucher The naming of biomorphism, Jennifer Mundy On the biology of the inorganic: crystallography and discourses of latent life in the art and architectural historiography of the early 20th century, Spyros Papapetros Traces of organicism in gardening and urban pla…

No prominent works on this page.

  • Art/Histories in Transcultural Dynamics

    Juliane Noth, Shigemi Inaga et al.•BOOK•Art/Histories in Transcultural…•2017

  • Biocentrism and Modernism

    OliverA I Botar, Oliver A I Botar et al.•BOOK•Biocentrism and Modernism•2017

    Contents: Introduction: biocentrism as a constituent element of modernism, Oliver A.I. Botar and Isabel WA nsche Defining biocentrism, Oliver A.I. Botar Rereading bioromanticism, Monika Wucher The naming of biomorphism, Jennifer Mundy On the biology of the inorganic: crystallography and discourses of latent life in the art and architectural historiography of the early 20th century, Spyros Papapetros Traces of organicism in gardening and urban pla…

  • Artistic Communities and Educational Approaches in Nineteenth- and Early Twentieth-Century Russia

    Ludmila Piters-Hofmann, Isabel Wünsche•ARTICLE•Russian History•2019

  • Pavel Chistiakov and Jan Ciągliński

    Isabel Wünsche•ARTICLE•Russian History•2019

    This essay looks at art education in Russia in the nineteenth century, specifically at artist-training practices at institutions such as the Imperial Academy of Fine Arts and the Imperial Society for the Encouragements of the Arts in St. Petersburg. Particular emphasis is on the role and significance of Pavel Chistiakov and Jan Ciągliński, charismatic teachers who developed their distinct art-pedagogical systems as an alternative to the existing …

  • Liquid Crystals, Theories of Life and Visual Perception in the Russian Avant-Garde

    Isabel Wünsche•ARTICLE•Leonardo•2021

    In the early twentieth century, Russian avant-garde artists, largely based in St. Petersburg, turned their attention to the natural world and the need for a new, absolute art based not on the copying of nature but instead on its universal laws and organic principles [1]. Their aesthetics were informed by pantheist, neovitalist and monist ideas combined with evolutionary thought and scientific knowledge from the fields of physics, biology, physiol…

Art (3 works) · Art history (3 works) · Art Education and Development (2 works) · History (2 works) · History (2 works) · Political science (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Art, Politics, and Modernism (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae