Nina Horisaki-Christens
Biographic Data
| ID | 5894046 |
|---|---|
| NAME | Nina Horisaki-Christens |
| GIVEN NAMES | Nina |
| FAMILY NAME | Horisaki-Christens |
| SIGNATURE | HORISAKI-CHRISTENS N |
| AFFILIATIONS | Nina Horisaki-Christens, Getty Research Institute. Email: . |
| ORCID | 0000-0003-2871-6732 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Video as World Mandala
Early video processing tools present a compelling perspective through which to reconsider the integrated practice of Tokyo-based early video artist Nakajima Kō. The author examines Nakajima’s practice through his concepts of animation, the development of his Animaker (1979) and Aniputer (1982), and his perspective on how video connects to Esoteric Buddhist thought. Concluding with Kō’s 1986 video Mt. Fuji, the author illustrates how the work is r…
Video as World Mandala
Early video processing tools present a compelling perspective through which to reconsider the integrated practice of Tokyo-based early video artist Nakajima Ko. The author examines Nakajima's practice through his concepts of animation, the development of his Animaker (1979) and Aniputer (1982) the ways he sees video connected to Esoteric Buddhist thought. Returning then to his 1986 video Mt. Fuji, the author illustrates how it is representative o…
"Nina Horisaki-Christens. Review of "Feeling Media
No prominent works on this page.
"Nina Horisaki-Christens. Review of "Feeling Media
Video as World Mandala
Early video processing tools present a compelling perspective through which to reconsider the integrated practice of Tokyo-based early video artist Nakajima Kō. The author examines Nakajima’s practice through his concepts of animation, the development of his Animaker (1979) and Aniputer (1982), and his perspective on how video connects to Esoteric Buddhist thought. Concluding with Kō’s 1986 video Mt. Fuji, the author illustrates how the work is r…
Video as World Mandala
Early video processing tools present a compelling perspective through which to reconsider the integrated practice of Tokyo-based early video artist Nakajima Ko. The author examines Nakajima's practice through his concepts of animation, the development of his Animaker (1979) and Aniputer (1982) the ways he sees video connected to Esoteric Buddhist thought. Returning then to his 1986 video Mt. Fuji, the author illustrates how it is representative o…
Art (3 works) · Archaeology (2 works) · Astronomy (2 works) · COSMIC cancer database (2 works) · Geography (2 works) · Mandala (2 works) · Physics (2 works) · Afterlife (1 works) · Art, Technology, and Culture (1 works) · Digital Games and Media (1 works)