Annie Bourneuf
Biographic Data
| ID | 5894738 |
|---|---|
| NAME | Annie Bourneuf |
| GIVEN NAMES | Annie |
| FAMILY NAME | Bourneuf |
| SIGNATURE | BOURNEUF A |
| AFFILIATIONS | Colon and Rectal Surgery Associates |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Interfaces and Proxies
Although the making of relief prints hardly seems to fit with László Moholy-Nagy’s reputation as an innovator working with new media and industrialized production, Moholy-Nagy did in fact make a few dozen woodcuts and linocuts in the 1920s. In this article, the author seeks to understand Moholy-Nagy’s engagement with these techniques by focusing on the manual prints of the 1924 version of his “Dynamic of the Metropolis,” the text of which is devo…
Paul Klee
Radically Uncolorful Painting ”
April 01 2010 “Radically Uncolorful Painting”: Walter Benjamin and the Problem of Cubism Annie Bourneuf Annie Bourneuf Annie Bourneuf is a doctoral candidate and Quin Morton Teaching Fellow at Princeton University, where she is completing a dissertation on Paul Klee's art of the late 1910s. She has recently published essays on Paul Klee and on Gunta Stölzl. Search for other works by this author on: This Site Google Scholar Author and Article Info…
No prominent works on this page.
Radically Uncolorful Painting ”
April 01 2010 “Radically Uncolorful Painting”: Walter Benjamin and the Problem of Cubism Annie Bourneuf Annie Bourneuf Annie Bourneuf is a doctoral candidate and Quin Morton Teaching Fellow at Princeton University, where she is completing a dissertation on Paul Klee's art of the late 1910s. She has recently published essays on Paul Klee and on Gunta Stölzl. Search for other works by this author on: This Site Google Scholar Author and Article Info…
Paul Klee
Interfaces and Proxies
Although the making of relief prints hardly seems to fit with László Moholy-Nagy’s reputation as an innovator working with new media and industrialized production, Moholy-Nagy did in fact make a few dozen woodcuts and linocuts in the 1920s. In this article, the author seeks to understand Moholy-Nagy’s engagement with these techniques by focusing on the manual prints of the 1924 version of his “Dynamic of the Metropolis,” the text of which is devo…
Art (3 works) · Art history (2 works) · Computer Science (2 works) · Visual arts (2 works) · 1879-1940 (1 works) · Art, modern (1 works) · Art, Politics, and Modernism (1 works) · Circulation (fluid dynamics) (1 works) · Citation (1 works) · German Social Sciences and History (1 works)