Gisèle Trudel
Biographic Data
| ID | 5894749 |
|---|---|
| NAME | Gisèle Trudel |
| GIVEN NAMES | Gisèle |
| FAMILY NAME | Trudel |
| SIGNATURE | TRUDEL G |
| AFFILIATIONS | Gisèle Trudel, Université du Québec à Montréal, École des arts visuels et médiatiques. Case postale 8888, succursale Centre-Ville, Montréal (Québec), Canada H3C 3P8. Email: [email protected]. |
| ORCID | 0009-0007-1775-9020 |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Climate Modelling, the Data-Image and the Possible in Forest Ecologies
Climate scenarios are produced through modelling, scientists draw on previously collected data and directions retrieved from governmental reports. In this article, an environmental data scientist and an artist-researcher reflect on their long-term art/science collaboration. They examine how certain models operate in forest ecologies. The concept of the “possible” by French philosopher Henri Bergson (1859–1941) accompanies them in questioning the …
Diffractive Rendezvous
This article is an open-ended discussion of five events from the LASER series hosted at Hexagram in Montreal, Quebec, Canada, between 2014 and 2021. LASERs at Hexagram interweave the research-creations of its members in dialogue with local and international guests. Emerging from the audio-to-text transcriptions of previous documentation of these LASERs, the word “movement” becomes a novel lens of analysis for this text, according to a “diffractiv…
Dans un ordre, je balance un « u » pour ordure
The political philosophy of Jacques Rancière, with its concepts of aesthetics, dissensus and subjectivation, enables the analysis of the relation to matter perceived as waste. Is it possible to transform the latter by means of a technological art practice
No prominent works on this page.
Dans un ordre, je balance un « u » pour ordure
The political philosophy of Jacques Rancière, with its concepts of aesthetics, dissensus and subjectivation, enables the analysis of the relation to matter perceived as waste. Is it possible to transform the latter by means of a technological art practice
Diffractive Rendezvous
This article is an open-ended discussion of five events from the LASER series hosted at Hexagram in Montreal, Quebec, Canada, between 2014 and 2021. LASERs at Hexagram interweave the research-creations of its members in dialogue with local and international guests. Emerging from the audio-to-text transcriptions of previous documentation of these LASERs, the word “movement” becomes a novel lens of analysis for this text, according to a “diffractiv…
Climate Modelling, the Data-Image and the Possible in Forest Ecologies
Climate scenarios are produced through modelling, scientists draw on previously collected data and directions retrieved from governmental reports. In this article, an environmental data scientist and an artist-researcher reflect on their long-term art/science collaboration. They examine how certain models operate in forest ecologies. The concept of the “possible” by French philosopher Henri Bergson (1859–1941) accompanies them in questioning the …
Computer Science (2 works) · Cultural Insights and Digital Impacts (2 works) · Documentation (2 works) · Philosophy (2 works) · Art (1 works) · Citizen journalism (1 works) · Climate change (1 works) · Creativity (1 works) · Digital Humanities and Scholarship (1 works) · Ecocriticism and Environmental Literature (1 works)