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Jock Abra

Biographic Data

ID5895658
NAMEJock Abra
GIVEN NAMESJock
FAMILY NAMEAbra
SIGNATUREABRA J
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR1988
H-INDEX1
  • The Dancer as Masochist

    Open Access•Jock Abra•ARTICLE•Dance Research Journal•1988•Cited by: 1•References: 4

    What various experiences does dance elicit? And why do people involve themselves in it? Aestheticians have often debated such questions from an audience standpoint, but much less frequently from that of the dancer. Yet many theories, representing mainstream psychology's various subdisciplines, as well as related traditions such as psychoanalysis and existentialism, do suggest, either openly or by implication, reasons for indulging in creative wor…

  • Skinner on Creativity

    Jock Abra•ARTICLE•Leonardo•1988

    Skinner attributes creativity to ‘behavioral mutations’, unusual acts emitted accidentally but selected by the environment for reinforcement. The author suggests that Skinner’s account can adequately encompass many creative phenomena, notably some recent, influential artistic approaches and the sex differences in productivity. However, the account also shows serious weaknesses. In particular, it implies that all individuals, including subhumans, …

  • The Dancer as Masochist

    Open Access•Jock Abra•ARTICLE•Dance Research Journal•1988•Cited by: 1•References: 4

    What various experiences does dance elicit? And why do people involve themselves in it? Aestheticians have often debated such questions from an audience standpoint, but much less frequently from that of the dancer. Yet many theories, representing mainstream psychology's various subdisciplines, as well as related traditions such as psychoanalysis and existentialism, do suggest, either openly or by implication, reasons for indulging in creative wor…

  • The Dancer as Masochist

    Open Access•Jock Abra•ARTICLE•Dance Research Journal•1988•Cited by: 1•References: 4

    What various experiences does dance elicit? And why do people involve themselves in it? Aestheticians have often debated such questions from an audience standpoint, but much less frequently from that of the dancer. Yet many theories, representing mainstream psychology's various subdisciplines, as well as related traditions such as psychoanalysis and existentialism, do suggest, either openly or by implication, reasons for indulging in creative wor…

  • Skinner on Creativity

    Jock Abra•ARTICLE•Leonardo•1988

    Skinner attributes creativity to ‘behavioral mutations’, unusual acts emitted accidentally but selected by the environment for reinforcement. The author suggests that Skinner’s account can adequately encompass many creative phenomena, notably some recent, influential artistic approaches and the sex differences in productivity. However, the account also shows serious weaknesses. In particular, it implies that all individuals, including subhumans, …

Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Social Psychology (2 works) · Aesthetic Perception and Analysis (1 work) · Cognitive science (1 work) · Creativity (1 work)

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