Alistair Riddell
Biographic Data
| ID | 5895835 |
|---|---|
| NAME | Alistair Riddell |
| GIVEN NAMES | Alistair |
| FAMILY NAME | Riddell |
| SIGNATURE | RIDDELL A |
| AFFILIATIONS | (artist), 12 Napier Street, Fitzroy, Victoria 3065, Australia. E-mail: <>. |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 0 |
Data Culture Generation: After Content, Process as Aesthetic
The concepts of process and data, inherent in the technology of contemporary music, are contributing to a new musical practice and aesthetic. The role of technology in musical production has cast music into data (a tangible entity, commodity or product) and thus made data a kind of cultural object itself in certain contexts (LPs, CDs, MP3 files). This condition suggests that a rethinking/transformation of contemporary audio arts based on process …
Music in the Chords of Eternity
Over the past decade contemporary music has increasingly employed the sounds of the world as an alternative or adjunct to the extant repertoire of musical sounds. What this means for music is an expansion into a relatively new language domain; one with familiar associations, but distant from the notion of music. The underlying mode of this compositional process concerns the exploitation of meaning in the sounds of contemporary life, and its use i…
Music in the chords of eternity
No prominent works on this page.
Music in the Chords of Eternity
Over the past decade contemporary music has increasingly employed the sounds of the world as an alternative or adjunct to the extant repertoire of musical sounds. What this means for music is an expansion into a relatively new language domain; one with familiar associations, but distant from the notion of music. The underlying mode of this compositional process concerns the exploitation of meaning in the sounds of contemporary life, and its use i…
Music in the chords of eternity
Data Culture Generation: After Content, Process as Aesthetic
The concepts of process and data, inherent in the technology of contemporary music, are contributing to a new musical practice and aesthetic. The role of technology in musical production has cast music into data (a tangible entity, commodity or product) and thus made data a kind of cultural object itself in certain contexts (LPs, CDs, MP3 files). This condition suggests that a rethinking/transformation of contemporary audio arts based on process …
Aesthetics (3 works) · Art (3 works) · Sociology (3 works) · Visual arts (3 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · Eternity (2 works) · Linguistics (2 works) · Literature (2 works) · Musical (2 works)