Sarah Nicolls
Biographic Data
| ID | 5897839 |
|---|---|
| NAME | Sarah Nicolls |
| GIVEN NAMES | Sarah |
| FAMILY NAME | Nicolls |
| SIGNATURE | NICOLLS S |
| AFFILIATIONS | Brunel University, Uxbridge, UK.. |
| ORCID | 0000-0002-9460-4934 |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Kinect-ed Piano
The authors describe a gesturally controlled improvisation system for an experimental pianist, developed over several laboratory sessions and used during a performance at the 2011 conference on New Interfaces for Musical Expression (NIME). They discuss the architecture and performative advantages and limitations of the system, and reflect on the lessons learned throughout its development
Seeking Out the Spaces Between
This article presents findings from experiments into piano and live electronics undertaken by the author since early 2007. The use of improvisation has infused every step of the process—both as a methodology to obtain meaningful results using interactive technology and as a way to generate and characterize a collaborative musical space with composers. The technology used has included pre-built MIDI interfaces such as the PianoBar, actuators such …
No prominent works on this page.
Seeking Out the Spaces Between
This article presents findings from experiments into piano and live electronics undertaken by the author since early 2007. The use of improvisation has infused every step of the process—both as a methodology to obtain meaningful results using interactive technology and as a way to generate and characterize a collaborative musical space with composers. The technology used has included pre-built MIDI interfaces such as the PianoBar, actuators such …
Kinect-ed Piano
The authors describe a gesturally controlled improvisation system for an experimental pianist, developed over several laboratory sessions and used during a performance at the 2011 conference on New Interfaces for Musical Expression (NIME). They discuss the architecture and performative advantages and limitations of the system, and reflect on the lessons learned throughout its development
Art (2 works) · Art history (2 works) · Computer Science (2 works) · Human–computer interaction (2 works) · Improvisation (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Piano (2 works) · Visual arts (2 works) · Aesthetics (1 work)