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Ariel M Sheetrit

Biographic Data

ID5898147
NAMEAriel M Sheetrit
GIVEN NAMESAriel M
FAMILY NAMESheetrit
SIGNATURESHEETRIT A M
AFFILIATIONSBen-Gurion University of the Negev
ORCID0000-0002-5685-4158
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS0
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2021
H-INDEX0
  • From Weddings as Resistance to Resistance to Weddings

    Ariel M Sheetrit•ARTICLE•Middle East Journal of Culture…•2021•References: 5

    This study focuses on two films in which weddings are conspicuously absent, Villa Touma (Suha Arraf, 2014) and In Between ( Bar Bahr , Maysaloun Hamoud, 2016). Both films have a distinct focus on weddings: they are mentioned repeatedly—whether with longing or loathing, occasionally rendered in the films’ hazy perimeters, in ways that mark them as unsubstantial, inane and infecund, but most often they are occasions that end up not happening, non-d…

  • A Poetics of Arabic Autobiography

    Ariel M Sheetrit•BOOK•Poetics of Arabic Autobiography•2020

    This book examines the poetics of autobiographical masterpieces written in Arabic by Leila Abouzeid, Hanan al-Shaykh, Samuel Shimon, Abd al-Rahman Munif, Salim Barakat, Mohamed Choukri and Hanna Abu Hanna. These literary works articulate the life story of each author in ways that undermine the expectation that the "self"—the "auto" of autobiography—would be the dominant narrative focus. Although every autobiography naturally includes and relates …

  • Adversary as protagonist

    Ariel M Sheetrit•ARTICLE•Middle Eastern Literatures•2020

    This study examines three Palestinian works, Hanna Ibrahim’s short story “Infiltrators,” (1954), Mahmoud Shukair’s short story “Mordechai’s Moustache and His Wife’s Cat” (2004) and Ibtisam Azem’s The Book of Disappearance (2014). Remarkably, each features a Jewish Israeli as a central character in the story; more intriguing, in each, the story is mediated through the perspective of that character – focalized by him or her. I address the significa…

  • Nadia Yaqub. Palestinian Cinema in the Days of Revolution . Austin, Tex

    Ariel M Sheetrit•ARTICLE•Critical Inquiry•2020

  • Politics and Palestinian literature in exile

    Ariel M Sheetrit•ARTICLE•Mediterranean Historical Review•2018

    Joseph Farag’s Politics and Palestinian Literature in Exile offers analyses and close readings of short stories by five eminent Palestinian authors: Samira Azzam; Ghassan Kanafani; Yahya Yakhlif; L

  • Iterations of loss

    Ariel M Sheetrit•ARTICLE•Mediterranean Historical Review•2016

  • Narrative Strategies of Self-Definition and Voice in Leila Abouzeid’s Return to Childhood

    Ariel M Sheetrit•ARTICLE•Journal of Middle East Women s…•2015•References: 9

    This article presents an analysis of the Moroccan writer Leila Abouzeid’s Rujuʿ ila al-tufula (1993; Return to Childhood: The Memoir of a Modern Moroccan Woman, 1998) through the prism of relational theories of autobiography. It exposes narrative strategies of voice and language to bring out the autobiographical subject’s struggle to identify with and against authority figures while forging her own voice. It highlights Abouzeid’s mother’s powerfu…

  • Social Alienation and Estrangement in Four Stories by Palestinian Writer c Alā Ḥlayḥal

    Ariel M Sheetrit•ARTICLE•Middle Eastern Studies•2015

    This article examines the novella al-Sīrk (2001) and three short stories (ʿZawjī Sā'iq Bāṣ', 2008, ‘Tacāyush’, 2008 and ‘al-Sajjāda’, 2003) by contemporary Palestinian writer cAlā Ḥlayḥal (Ala Hlehel). These texts manifest a preoccupation with the breakdown of human relationships and related themes of failed communication and miscommunication between people. These themes articulate the alienation, isolation and estrangement of individuals from on…

  • Beginning Again

    Ariel M Sheetrit, Ariel Sheetrit•ARTICLE•a/b Auto/Biography Studies•2013•References: 2

    This article considers Shimon Ballas' 2009 autobiography Be-Guf Rishon in light of theories of selfhood in diaspora and border-crossings. It argues that the text's hybrid stance and multiple ruptures are articulated through a language of beginnings, and as such, this analysis engages theories of beginnings and origins in narrative

  • The Poetics of the Poet’s Autobiography

    Ariel M Sheetrit•ARTICLE•Journal of Arabic Literature•2012

    This article offers a literary reading of Palestinian poet Fadwā Ṭūqān’s autobiography, Riḥlah ṣaʿbah, riḥlah jabaliyyah ( A Mountainous Journey , 1985). This text’s literary complexities have not yet been adequately addressed, despite the critical attention it has received. The present study maps this text’s central tension, namely, that on the one hand, it is populated by many characters and contains many voices, and on the other, that most of …

  • Two Lives Enmeshed

    Ariel M Sheetrit•ARTICLE•Contemporary Women s Writing•2011•References: 1

    Journal Article Two Lives Enmeshed: Disentangling Genre and Identity in Hanan al-Shaykh's Hikayati Sharhun Yatul / My Life: An Extended Commentary Get access Ariel M. Sheetrit Ariel M. Sheetrit Ben Gurion University of the Negev, Israel Search for other works by this author on: Oxford Academic Google Scholar Contemporary Women's Writing, Volume 5, Issue 2, July 2011, Pages 143–160, https://doi.org/10.1093/cww/vpq016 Published: 01 July 2011

  • The Geography of Identity

    Open Access•Ariel M Sheetrit•ARTICLE•Journal of Arabic and Islamic…•1970

    This study treats the masterpiece Sīrat madīna: ʿAmmān fī ’l-arbaʿīnāt (1994; translated into English as Story of a City: A Childhood in Amman, 1996) by ʿAbd al-Raḥmān Munīf. I read it through its unconventional and original formal and aesthetic choices in which the story of the city and the protagonist are narrated relationally in terms of each other. The goal of the present study is to deconstruct its multifaceted relational strategies, pinpoin…

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  • The Geography of Identity

    Open Access•Ariel M Sheetrit•ARTICLE•Journal of Arabic and Islamic…•1970

    This study treats the masterpiece Sīrat madīna: ʿAmmān fī ’l-arbaʿīnāt (1994; translated into English as Story of a City: A Childhood in Amman, 1996) by ʿAbd al-Raḥmān Munīf. I read it through its unconventional and original formal and aesthetic choices in which the story of the city and the protagonist are narrated relationally in terms of each other. The goal of the present study is to deconstruct its multifaceted relational strategies, pinpoin…

  • Two Lives Enmeshed

    Ariel M Sheetrit•ARTICLE•Contemporary Women s Writing•2011•References: 1

    Journal Article Two Lives Enmeshed: Disentangling Genre and Identity in Hanan al-Shaykh's Hikayati Sharhun Yatul / My Life: An Extended Commentary Get access Ariel M. Sheetrit Ariel M. Sheetrit Ben Gurion University of the Negev, Israel Search for other works by this author on: Oxford Academic Google Scholar Contemporary Women's Writing, Volume 5, Issue 2, July 2011, Pages 143–160, https://doi.org/10.1093/cww/vpq016 Published: 01 July 2011

  • The Poetics of the Poet’s Autobiography

    Ariel M Sheetrit•ARTICLE•Journal of Arabic Literature•2012

    This article offers a literary reading of Palestinian poet Fadwā Ṭūqān’s autobiography, Riḥlah ṣaʿbah, riḥlah jabaliyyah ( A Mountainous Journey , 1985). This text’s literary complexities have not yet been adequately addressed, despite the critical attention it has received. The present study maps this text’s central tension, namely, that on the one hand, it is populated by many characters and contains many voices, and on the other, that most of …

  • Beginning Again

    Ariel M Sheetrit, Ariel Sheetrit•ARTICLE•a/b Auto/Biography Studies•2013•References: 2

    This article considers Shimon Ballas' 2009 autobiography Be-Guf Rishon in light of theories of selfhood in diaspora and border-crossings. It argues that the text's hybrid stance and multiple ruptures are articulated through a language of beginnings, and as such, this analysis engages theories of beginnings and origins in narrative

  • Narrative Strategies of Self-Definition and Voice in Leila Abouzeid’s Return to Childhood

    Ariel M Sheetrit•ARTICLE•Journal of Middle East Women s…•2015•References: 9

    This article presents an analysis of the Moroccan writer Leila Abouzeid’s Rujuʿ ila al-tufula (1993; Return to Childhood: The Memoir of a Modern Moroccan Woman, 1998) through the prism of relational theories of autobiography. It exposes narrative strategies of voice and language to bring out the autobiographical subject’s struggle to identify with and against authority figures while forging her own voice. It highlights Abouzeid’s mother’s powerfu…

  • Social Alienation and Estrangement in Four Stories by Palestinian Writer c Alā Ḥlayḥal

    Ariel M Sheetrit•ARTICLE•Middle Eastern Studies•2015

    This article examines the novella al-Sīrk (2001) and three short stories (ʿZawjī Sā'iq Bāṣ', 2008, ‘Tacāyush’, 2008 and ‘al-Sajjāda’, 2003) by contemporary Palestinian writer cAlā Ḥlayḥal (Ala Hlehel). These texts manifest a preoccupation with the breakdown of human relationships and related themes of failed communication and miscommunication between people. These themes articulate the alienation, isolation and estrangement of individuals from on…

  • Iterations of loss

    Ariel M Sheetrit•ARTICLE•Mediterranean Historical Review•2016

  • Politics and Palestinian literature in exile

    Ariel M Sheetrit•ARTICLE•Mediterranean Historical Review•2018

    Joseph Farag’s Politics and Palestinian Literature in Exile offers analyses and close readings of short stories by five eminent Palestinian authors: Samira Azzam; Ghassan Kanafani; Yahya Yakhlif; L

  • A Poetics of Arabic Autobiography

    Ariel M Sheetrit•BOOK•Poetics of Arabic Autobiography•2020

    This book examines the poetics of autobiographical masterpieces written in Arabic by Leila Abouzeid, Hanan al-Shaykh, Samuel Shimon, Abd al-Rahman Munif, Salim Barakat, Mohamed Choukri and Hanna Abu Hanna. These literary works articulate the life story of each author in ways that undermine the expectation that the "self"—the "auto" of autobiography—would be the dominant narrative focus. Although every autobiography naturally includes and relates …

  • Adversary as protagonist

    Ariel M Sheetrit•ARTICLE•Middle Eastern Literatures•2020

    This study examines three Palestinian works, Hanna Ibrahim’s short story “Infiltrators,” (1954), Mahmoud Shukair’s short story “Mordechai’s Moustache and His Wife’s Cat” (2004) and Ibtisam Azem’s The Book of Disappearance (2014). Remarkably, each features a Jewish Israeli as a central character in the story; more intriguing, in each, the story is mediated through the perspective of that character – focalized by him or her. I address the significa…

  • Nadia Yaqub. Palestinian Cinema in the Days of Revolution . Austin, Tex

    Ariel M Sheetrit•ARTICLE•Critical Inquiry•2020

  • From Weddings as Resistance to Resistance to Weddings

    Ariel M Sheetrit•ARTICLE•Middle East Journal of Culture…•2021•References: 5

    This study focuses on two films in which weddings are conspicuously absent, Villa Touma (Suha Arraf, 2014) and In Between ( Bar Bahr , Maysaloun Hamoud, 2016). Both films have a distinct focus on weddings: they are mentioned repeatedly—whether with longing or loathing, occasionally rendered in the films’ hazy perimeters, in ways that mark them as unsubstantial, inane and infecund, but most often they are occasions that end up not happening, non-d…

Art (11 works) · History (9 works) · Literature (9 works) · Jewish and Middle Eastern Studies (8 works) · Sociology (8 works) · Aesthetics (7 works) · History (6 works) · Law (6 works) · Philosophy (6 works) · Political science (6 works)

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