Pavel Prokopic
Biographic Data
| ID | 5898185 |
|---|---|
| NAME | Pavel Prokopic |
| GIVEN NAMES | Pavel |
| FAMILY NAME | Prokopic |
| SIGNATURE | PROKOPIC P |
| AFFILIATIONS | University of Salford |
| ORCID | 0000-0003-1428-6794 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Nested Cinema
Nested Cinema is an original immersive experience that complicates the boundaries between the physical and the virtual, between the real and the imaginary. Nested Cinema reimagines film through the orchestration of technology across three distinct layers of experience—traditional screens, the installation space, and cinematic virtual reality—giving rise to a new immersive mode of dramatic fiction and expanded cinema. By combining established and …
Affective atmosphere
The affective atmosphere approach to filmmaking emerged from a practice-as-research project entitled Affective Cinema, which seeks to explore the unique expressive potential of film by offsetting its function as a vehicle for coherent communication of narrative and drama. Affective atmosphere as a production approach is about the focused and present becoming with reality that is not interrupted by separation between periods of filming and not fil…
‘I’m Not There Anymore’
The film emerged from a wider, AHRC-funded practice-as-research PhD entitled Affective Cinema, which experiments with cinematographic and directorial techniques, and methods of working with performers, in order to generate film structures that disrupt or offset narrative, semiotic and/or spatial coherence by the production of audio-visual affects. In this way, a certain boundary is being explored between the representational and the non-represent…
No prominent works on this page.
‘I’m Not There Anymore’
The film emerged from a wider, AHRC-funded practice-as-research PhD entitled Affective Cinema, which experiments with cinematographic and directorial techniques, and methods of working with performers, in order to generate film structures that disrupt or offset narrative, semiotic and/or spatial coherence by the production of audio-visual affects. In this way, a certain boundary is being explored between the representational and the non-represent…
Affective atmosphere
The affective atmosphere approach to filmmaking emerged from a practice-as-research project entitled Affective Cinema, which seeks to explore the unique expressive potential of film by offsetting its function as a vehicle for coherent communication of narrative and drama. Affective atmosphere as a production approach is about the focused and present becoming with reality that is not interrupted by separation between periods of filming and not fil…
Nested Cinema
Nested Cinema is an original immersive experience that complicates the boundaries between the physical and the virtual, between the real and the imaginary. Nested Cinema reimagines film through the orchestration of technology across three distinct layers of experience—traditional screens, the installation space, and cinematic virtual reality—giving rise to a new immersive mode of dramatic fiction and expanded cinema. By combining established and …
Art (3 works) · Cinema and Media Studies (3 works) · Movie theater (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Literature (2 works) · Narrative (2 works) · Psychology (2 works) · Sociology (2 works)