Filippo Fabrocini
Biographic Data
| ID | 5898794 |
|---|---|
| NAME | Filippo Fabrocini |
| GIVEN NAMES | Filippo |
| FAMILY NAME | Fabrocini |
| SIGNATURE | FABROCINI F |
| AFFILIATIONS | Tongji University |
| ORCID | 0000-0002-6972-1020 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
From Canvas to Code
This paper investigates Artificial Intelligence (AI)-generated art and design as a compelling case study to demonstrate the core tenets of Object-Oriented Ontology (OOO). Our central thesis posits that AI-generated art and design exhibit a profound autonomy, one that operates independently of any human’s subjectivity, irrespective of whether we consider the artistic outcome or the underlying creative process. Research shows that AI art and design…
Finally, the death of the author! A ‘detournement’ strategy for decolonizing the artistic venue
Unintentional intentionality
Deep Permutation Design
An artificial intelligence-based design methodology is presented based on permutations and neural networks. Elements are combined in all possible ways to form all possible design solutions and a neural network extracts the best solutions after being trained on either objective or subjective criteria. This methodology is projected to have many applications in fashion, architecture, music, storytelling, cooking, or any other design or art field tha…
Re-framing AI
AI is “essentially detached” from the world. The intrinsic nature of this technology precludes a proper space of negotiation between the different human and non-human actors involved and leads to an ideology of control. The challenge of the designer consists in looking across the black box, as opposed to looking inside, in order to visualise, sense, and experience why AI is leading us, and where, and how. These questions are as important as the a…
No prominent works on this page.
Re-framing AI
AI is “essentially detached” from the world. The intrinsic nature of this technology precludes a proper space of negotiation between the different human and non-human actors involved and leads to an ideology of control. The challenge of the designer consists in looking across the black box, as opposed to looking inside, in order to visualise, sense, and experience why AI is leading us, and where, and how. These questions are as important as the a…
Unintentional intentionality
Deep Permutation Design
An artificial intelligence-based design methodology is presented based on permutations and neural networks. Elements are combined in all possible ways to form all possible design solutions and a neural network extracts the best solutions after being trained on either objective or subjective criteria. This methodology is projected to have many applications in fashion, architecture, music, storytelling, cooking, or any other design or art field tha…
From Canvas to Code
This paper investigates Artificial Intelligence (AI)-generated art and design as a compelling case study to demonstrate the core tenets of Object-Oriented Ontology (OOO). Our central thesis posits that AI-generated art and design exhibit a profound autonomy, one that operates independently of any human’s subjectivity, irrespective of whether we consider the artistic outcome or the underlying creative process. Research shows that AI art and design…
Finally, the death of the author! A ‘detournement’ strategy for decolonizing the artistic venue
Artificial Intelligence (3 works) · Computer Science (3 works) · Ethics and Social Impacts of AI (3 works) · Aesthetic Perception and Analysis (2 works) · Art (2 works) · Engineering (2 works) · Epistemology (2 works) · Mathematics (2 works) · Performing arts (2 works) · Aesthetics (1 work)