Esther Parada
Biographic Data
| ID | 5900243 |
|---|---|
| NAME | Esther Parada |
| GIVEN NAMES | Esther |
| FAMILY NAME | Parada |
| SIGNATURE | PARADA E |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2000 |
| H-INDEX | 0 |
Homeland Bavaria
My experience of Germany is very limited, based primarily on an invitation I received in 1991 to participate-along with several artists from the United States and Europe-in creating site-specific installations that related to the history of the Konigsplatz in Munich. I'd like to share this project with you, but let me position it in the context of many years that I've spent thinking about the relationship of representation to power, particularly …
Taking Liberties
The author describes a number of her works created between 1984 and 1992 that challenge mainstream media representations of women and Third-World countries, particularly in regard to U.S. involvement in Latin America. She emphasizes the role of digital technology in facilitating the formal strategies she has employed, including the fragmentation, juxtaposition and interweaving of images and text
C/Overt Ideology
Other| March 01 1984 C/Overt Ideology: Two Images of Revolution Esther Parada Esther Parada Esther Parada, associate professor of photography atthe University of Illinois, Chicago, was a Peace Corps art instructor in Sucre, Bolivia, from 1964 to 1966. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1984) 11 (8): 7–16. https://doi.org/10.1525/aft.1984.11.8.7 Views Icon Views Article contents Figures & tables V…
Home Products
Other| December 01 1982 Home Products: Notes on History, Photography, and Cultural Politics in Cuba Esther Parada Esther Parada Esther Parada is associate professor of photography at the University of Illinois, Chicago. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1982) 10 (5): 8–15. https://doi.org/10.1525/aft.1982.10.5.8 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Pe…
Notes on Latin American Photography
Other| November 01 1981 Notes on Latin American Photography Esther Parada Esther Parada Esther Parada, who has lived and taught in Bolivia, is an assistant professor of photography at the University of Illinois/Chicago Circle, and the coordinator of the international program of the Society for Photographic Education. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1981) 9 (4): 10–16. https://doi.org/10.1525/a…
No prominent works on this page.
Notes on Latin American Photography
Other| November 01 1981 Notes on Latin American Photography Esther Parada Esther Parada Esther Parada, who has lived and taught in Bolivia, is an assistant professor of photography at the University of Illinois/Chicago Circle, and the coordinator of the international program of the Society for Photographic Education. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1981) 9 (4): 10–16. https://doi.org/10.1525/a…
Home Products
Other| December 01 1982 Home Products: Notes on History, Photography, and Cultural Politics in Cuba Esther Parada Esther Parada Esther Parada is associate professor of photography at the University of Illinois, Chicago. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1982) 10 (5): 8–15. https://doi.org/10.1525/aft.1982.10.5.8 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Pe…
C/Overt Ideology
Other| March 01 1984 C/Overt Ideology: Two Images of Revolution Esther Parada Esther Parada Esther Parada, associate professor of photography atthe University of Illinois, Chicago, was a Peace Corps art instructor in Sucre, Bolivia, from 1964 to 1966. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1984) 11 (8): 7–16. https://doi.org/10.1525/aft.1984.11.8.7 Views Icon Views Article contents Figures & tables V…
Taking Liberties
The author describes a number of her works created between 1984 and 1992 that challenge mainstream media representations of women and Third-World countries, particularly in regard to U.S. involvement in Latin America. She emphasizes the role of digital technology in facilitating the formal strategies she has employed, including the fragmentation, juxtaposition and interweaving of images and text
Homeland Bavaria
My experience of Germany is very limited, based primarily on an invitation I received in 1991 to participate-along with several artists from the United States and Europe-in creating site-specific installations that related to the history of the Konigsplatz in Munich. I'd like to share this project with you, but let me position it in the context of many years that I've spent thinking about the relationship of representation to power, particularly …
Art (4 works) · Art history (3 works) · Citation (3 works) · Computer Science (3 works) · History (3 works) · Icon (3 works) · Law (3 works) · Library science (3 works) · Political science (3 works) · Visual arts (3 works)