Nina Almazova
Biographic Data
| ID | 5900368 |
|---|---|
| NAME | Nina Almazova |
| GIVEN NAMES | Nina |
| FAMILY NAME | Almazova |
| SIGNATURE | ALMAZOVA N |
| AFFILIATIONS | St Petersburg University |
| ORCID | 0000-0002-4037-2533 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Terpander and the Orthian Nome
Ancient lists of Terpander’s citharodic nomes can be divided into three groups: Pseudo- Plutarch ( Mus. 1132D) names seven titles, and the Orthian is not included; Pollux (4.65) lists eight nomes, including the Orthian; lexicographers (Suid. ν 478 = Phot. Lex. ν 302; Suid. ο 574; Glossae in Herodotum 1.7, c. 24) refer to a list of seven nomes, including the Orthian. Reconstructing their common source, the author of this paper argues against the a…
Democrazia, o chi vale cosa (Thuc. II 37, 1)
Democracy, or what everyone is worth (Thuc. II 37, 1) The paper addresses two exegetical problems in a passage from the speech of Pericles (Thuc. II 37, 1). It is argued that the word μέρος probably means «rotation» rather than «class-affiliation», since in this way three successive phrases, instead of being tautological, form an elegant system of affirmations, each of which is precising the previous one. If ἀξιώματος depends from κεκώλυται and n…
Artistic Heritage of Polymnestus of Colophon
Polymnestus (seventh century BC ) is represented in Ps.-Plu. De mus. as the second composer of aulodic nomes and processional songs after Clonas. This paper argues that Polymnestus’ nomes bore his name and that he did not compose either the orthian nomes or those ascribed to Clonas. Polymnestus’ music continued to be known in the classical period; he was considered to be working in an innovative, but decent and sublime style. This does not fit we…
De tibicine Pythico ludisque Nemeis
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De tibicine Pythico ludisque Nemeis
Artistic Heritage of Polymnestus of Colophon
Polymnestus (seventh century BC ) is represented in Ps.-Plu. De mus. as the second composer of aulodic nomes and processional songs after Clonas. This paper argues that Polymnestus’ nomes bore his name and that he did not compose either the orthian nomes or those ascribed to Clonas. Polymnestus’ music continued to be known in the classical period; he was considered to be working in an innovative, but decent and sublime style. This does not fit we…
Democrazia, o chi vale cosa (Thuc. II 37, 1)
Democracy, or what everyone is worth (Thuc. II 37, 1) The paper addresses two exegetical problems in a passage from the speech of Pericles (Thuc. II 37, 1). It is argued that the word μέρος probably means «rotation» rather than «class-affiliation», since in this way three successive phrases, instead of being tautological, form an elegant system of affirmations, each of which is precising the previous one. If ἀξιώματος depends from κεκώλυται and n…
Terpander and the Orthian Nome
Ancient lists of Terpander’s citharodic nomes can be divided into three groups: Pseudo- Plutarch ( Mus. 1132D) names seven titles, and the Orthian is not included; Pollux (4.65) lists eight nomes, including the Orthian; lexicographers (Suid. ν 478 = Phot. Lex. ν 302; Suid. ο 574; Glossae in Herodotum 1.7, c. 24) refer to a list of seven nomes, including the Orthian. Reconstructing their common source, the author of this paper argues against the a…
Art (2 works) · Classical Antiquity Studies (2 works) · Aesthetics (1 work) · Ancient Mediterranean Archaeology and History (1 work) · Assertion (1 work) · Colophon (1 work) · Computer Science (1 work) · Geography (1 work) · Historical and Literary Studies (1 work) · Historical, Religious, and Philosophical Studies (1 work)