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Qilin Cao

Biographic Data

ID5900616
NAMEQilin Cao
GIVEN NAMESQilin
FAMILY NAMECao
SIGNATURECAO Q
AFFILIATIONSTongji University
ORCID0000-0002-1642-740X
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS1
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2025
H-INDEX1
  • The death of Wang I-lü

    Open Access•Qilin Cao•ARTICLE•International Journal of Asian…•2025

    In July 1939, Wang I-lü, a recent high school graduate, was reported to have fallen down a staircase while wearing high heels. The accident triggered heated public debates in Shanghai. Some condemned high heels as dangerous and decadent; others defended them, while Wang’s classmates denied Wang had ever worn them. Amid these conflicting voices, this article treats the death of Wang I-lü not as a question of forensic fact but as a historically sit…

  • Expediting co-benefits of tailored municipal solid waste management strategies globally

    Open Access•Qilin Cao, Junnian Song et al.•ARTICLE•Nature Sustainability•2025•Cited by: 1•References: 9

  • Sound, Gender, and the Thing

    Qian Cao, Qilin Cao•ARTICLE•positions asia critique•2025•References: 7

    This article argues that the earphone is a microcosm of the broader material and societal changes that occurred within the film translation industry in Republican Shanghai. As one of the acoustic devices that shaped the transmission and consumption of sounds in the modern world, the earphone was introduced to Shanghai cinema in 1939 to interpret Western sound films for Chinese audiences. The application of earphones gave rise to a new profession,…

  • Mars Is a Mirror”

    Qilin Cao•ARTICLE•Critical Arts•2025•References: 7

  • Satellite as method

    Open Access•Qilin Cao•ARTICLE•Modern Asian Studies•2025

    This article employs the satellite as a methodological lens to reconceptualize China’s Great Leap Forward, investigating this movement as an aesthetic crusade rather than a mere cause of political and economic pandemonium. Emerging as the movement’s most prevalent entity, the satellite underwent protean transformations—from an epitome of the Cold War to an emblem of socialist utopia, from its initial embodiment in popular science books to its emb…

  • Alice’s adventures in China

    Open Access•Qilin Cao•ARTICLE•Neohelicon•2024

  • Expediting co-benefits of tailored municipal solid waste management strategies globally

    Open Access•Qilin Cao, Junnian Song et al.•ARTICLE•Nature Sustainability•2025•Cited by: 1•References: 9

  • Alice’s adventures in China

    Open Access•Qilin Cao•ARTICLE•Neohelicon•2024

  • The death of Wang I-lü

    Open Access•Qilin Cao•ARTICLE•International Journal of Asian…•2025

    In July 1939, Wang I-lü, a recent high school graduate, was reported to have fallen down a staircase while wearing high heels. The accident triggered heated public debates in Shanghai. Some condemned high heels as dangerous and decadent; others defended them, while Wang’s classmates denied Wang had ever worn them. Amid these conflicting voices, this article treats the death of Wang I-lü not as a question of forensic fact but as a historically sit…

  • Expediting co-benefits of tailored municipal solid waste management strategies globally

    Open Access•Qilin Cao, Junnian Song et al.•ARTICLE•Nature Sustainability•2025•Cited by: 1•References: 9

  • Sound, Gender, and the Thing

    Qian Cao, Qilin Cao•ARTICLE•positions asia critique•2025•References: 7

    This article argues that the earphone is a microcosm of the broader material and societal changes that occurred within the film translation industry in Republican Shanghai. As one of the acoustic devices that shaped the transmission and consumption of sounds in the modern world, the earphone was introduced to Shanghai cinema in 1939 to interpret Western sound films for Chinese audiences. The application of earphones gave rise to a new profession,…

  • Mars Is a Mirror”

    Qilin Cao•ARTICLE•Critical Arts•2025•References: 7

  • Satellite as method

    Open Access•Qilin Cao•ARTICLE•Modern Asian Studies•2025

    This article employs the satellite as a methodological lens to reconceptualize China’s Great Leap Forward, investigating this movement as an aesthetic crusade rather than a mere cause of political and economic pandemonium. Emerging as the movement’s most prevalent entity, the satellite underwent protean transformations—from an epitome of the Cold War to an emblem of socialist utopia, from its initial embodiment in popular science books to its emb…

Art (3 works) · Chinese history and philosophy (3 works) · History (3 works) · Archaeology (2 works) · Art history (2 works) · China (2 works) · History (2 works) · Physics (2 works) · Visual arts (2 works) · Acoustics (1 work)

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