Bert Winther-Tamaki
Biographic Data
| ID | 5901356 |
|---|---|
| NAME | Bert Winther-Tamaki |
| GIVEN NAMES | Bert |
| FAMILY NAME | Winther-Tamaki |
| SIGNATURE | WINTHER-TAMAKI B |
| AFFILIATIONS | Bert Winther-Tamaki is an assistant professor in the Department of Art History at University of California, Irvine. |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
An Appetite for Flames in the Japanese Art World during the 1980s
A rash of fire-centered artistic practices—whether featuring live flames and smoke or charred wood and ash—were among the most sensational phenomena sponsored by institutions of contemporary art in Japan in the 1980s. This “fire art” flourished in an affluent period for Japan that was frequently termed the economic bubble due to skyrocketing real-estate prices which proved unsustainable when the bubble burst in the early 1990s. This economy also …
Maximum Embodiment
Maximum Embodiment presents a compelling thesis articulating the historical character of Yoga, literally the "Western painting" of Japan. The term designates what was arguably the most important movement in modern Japanese art from the late nineteenth to the mid-twentieth centuries. Perhaps the most critical marker of Yoga was its association with the medium of oil-on-canvas, which differed greatly from the water-based pigments and inks of earlie…
Minoru Yamasaki
(2000). Minoru Yamasaki: Contradictions of Scale in the Career of the Nisei Architect of the World's Largest Building. Amerasia Journal: Vol. 26, No. 3, pp. 162-188
Embodiment/Disembodiment
Embodiment/Disembodiment
Minoru Yamasaki
(2000). Minoru Yamasaki: Contradictions of Scale in the Career of the Nisei Architect of the World's Largest Building. Amerasia Journal: Vol. 26, No. 3, pp. 162-188
Maximum Embodiment
Maximum Embodiment presents a compelling thesis articulating the historical character of Yoga, literally the "Western painting" of Japan. The term designates what was arguably the most important movement in modern Japanese art from the late nineteenth to the mid-twentieth centuries. Perhaps the most critical marker of Yoga was its association with the medium of oil-on-canvas, which differed greatly from the water-based pigments and inks of earlie…
An Appetite for Flames in the Japanese Art World during the 1980s
A rash of fire-centered artistic practices—whether featuring live flames and smoke or charred wood and ash—were among the most sensational phenomena sponsored by institutions of contemporary art in Japan in the 1980s. This “fire art” flourished in an affluent period for Japan that was frequently termed the economic bubble due to skyrocketing real-estate prices which proved unsustainable when the bubble burst in the early 1990s. This economy also …
Art (4 works) · Japanese History and Culture (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art history (2 works) · Chinese history and philosophy (2 works) · Geography (2 works) · History (2 works) · Painting (2 works) · Ancient history (1 work)