Irit Averbuch
Biographic Data
| ID | 5902040 |
|---|---|
| NAME | Irit Averbuch |
| GIVEN NAMES | Irit |
| FAMILY NAME | Averbuch |
| SIGNATURE | AVERBUCH I |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
Discourses of the Reappearing
This article discusses the modern reenactments of the Nunohashi kanjoe (the Cloth-Bridge Consecration [Initiation] rite) in Tateyama-cho, Toyama prefecture, and the religious and political issues they raised. Originally a popular Edo-period rite for women's salvation, the Nunohashi kanjoe was obsolete for one hundred and thirty years, until it was reconstructed and performed as the main spectacle of the Culture Festival ibento (event) in Tateyama…
The Folk Performing Arts
Shamanic Dance in Japan
The A. discusses the choreography of trance in Japanese kagura dances and the shamanic elements that have been preserved in them. Three case studies of kagura are examined: 1. ōmoto Kagura, in which an authentic shamanic trance is still performed and which serves as a point of comparison; 2. Hana Matsuri, which has a kagura dance which is believed to indicate that the dance once included a possession-trance (kamigakari); 3. Hayachine Kagura which…
The Gods Come Dancing
The Gods Come Dancing
The Gods Come Dancing
Shamanic Dance in Japan
The A. discusses the choreography of trance in Japanese kagura dances and the shamanic elements that have been preserved in them. Three case studies of kagura are examined: 1. ōmoto Kagura, in which an authentic shamanic trance is still performed and which serves as a point of comparison; 2. Hana Matsuri, which has a kagura dance which is believed to indicate that the dance once included a possession-trance (kamigakari); 3. Hayachine Kagura which…
The Gods Come Dancing
The Gods Come Dancing
The Gods Come Dancing
The Gods Come Dancing
Shamanic Dance in Japan
The A. discusses the choreography of trance in Japanese kagura dances and the shamanic elements that have been preserved in them. Three case studies of kagura are examined: 1. ōmoto Kagura, in which an authentic shamanic trance is still performed and which serves as a point of comparison; 2. Hana Matsuri, which has a kagura dance which is believed to indicate that the dance once included a possession-trance (kamigakari); 3. Hayachine Kagura which…
The Folk Performing Arts
Discourses of the Reappearing
This article discusses the modern reenactments of the Nunohashi kanjoe (the Cloth-Bridge Consecration [Initiation] rite) in Tateyama-cho, Toyama prefecture, and the religious and political issues they raised. Originally a popular Edo-period rite for women's salvation, the Nunohashi kanjoe was obsolete for one hundred and thirty years, until it was reconstructed and performed as the main spectacle of the Culture Festival ibento (event) in Tateyama…
Art (6 works) · Visual arts (5 works) · Dance (4 works) · Diversity and Impact of Dance (4 works) · History (4 works) · Aesthetics (3 works) · Literature (3 works) · Asian Culture and Media Studies (2 works) · History (2 works) · Philosophy (2 works)