Anna Kowalcze‐Pawlik
Biographic Data
| ID | 5913087 |
|---|---|
| NAME | Anna Kowalcze‐Pawlik |
| GIVEN NAMES | Anna |
| FAMILY NAME | Kowalcze‐Pawlik |
| SIGNATURE | PAWLIK A K |
| AFFILIATIONS | University of Lodz |
| ORCID | 0000-0002-7606-7127 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
TaH pagh taHbe
This article discusses experimental translation on the example of intralingual translation in the Play On! Translation project accompanying the Oregon Shakespeare Festival, and intersemotic/intermedial translation in the OMGShakespeare series and Star Trek-related texts. These are approached as exercises in post-translation as defined by Edwin Gentzler in his volume on the subject
“Time Has Caught on Fire
This essay discusses fire as a significant factor shaping Australian social and cultural life. It focuses first on the climate-change induced emotions such as eco-anxiety and anger that can be tied with the Australian landscape, and then moves on to a discussion of the presence and function of fire in selected contemporary Australian poetry. The reflection on the poetics of trauma in the second part of the essay is accompanied by a discussion of …
TaH pagh taHbe
taH pagh taHbe: Shakespearean Experiment in Translation The article discusses experimental translation on the example of intralingual translation in Play On! Translation project accompanying the Oregon Shakespeare Festival and intersemotic/intermedial translation in OMGShakespeare series and Star Trek-related texts. These are approached as exercises in post-translation as defined by Edwin Gentzler in his volume on the subject
Madwoman at Large
This article explores the use of anger as a modus operandi of the protagonist in Olga Tokarczuk’s Prowadź twój pług przez kości umarłych [Drive your plow over the bones of the dead, 2009] and discusses the significance of intertextual indebtedness of the novel to William Blake’s poetry and the Romantic approach to anger for the construction of the plot and the main character. In order to achieve these ends, it elaborates on the generic provenance…
Time of Microhistory and Time of Micro-theater in Olga Tokarczuk’s Novels
This article details two ways of conceptualizing the experience of the past by the characters in Olga Tokarczuk’s prose fiction, which assume the form of a personal micronarration and the form of a microtheater. Utilizing Frank Ankersmit’s categorization of symbolic (metaphorical) signs and indexical (metonymic) signs, the article draws attention to the coexistence of different orders of speaking and staging (theatricalizing) history in the works…
"Kto rozpozna twarz"? Kultura awersji a deformacje męskiego ciała
21 cm
No prominent works on this page.
"Kto rozpozna twarz"? Kultura awersji a deformacje męskiego ciała
21 cm
TaH pagh taHbe
taH pagh taHbe: Shakespearean Experiment in Translation The article discusses experimental translation on the example of intralingual translation in Play On! Translation project accompanying the Oregon Shakespeare Festival and intersemotic/intermedial translation in OMGShakespeare series and Star Trek-related texts. These are approached as exercises in post-translation as defined by Edwin Gentzler in his volume on the subject
Madwoman at Large
This article explores the use of anger as a modus operandi of the protagonist in Olga Tokarczuk’s Prowadź twój pług przez kości umarłych [Drive your plow over the bones of the dead, 2009] and discusses the significance of intertextual indebtedness of the novel to William Blake’s poetry and the Romantic approach to anger for the construction of the plot and the main character. In order to achieve these ends, it elaborates on the generic provenance…
Time of Microhistory and Time of Micro-theater in Olga Tokarczuk’s Novels
This article details two ways of conceptualizing the experience of the past by the characters in Olga Tokarczuk’s prose fiction, which assume the form of a personal micronarration and the form of a microtheater. Utilizing Frank Ankersmit’s categorization of symbolic (metaphorical) signs and indexical (metonymic) signs, the article draws attention to the coexistence of different orders of speaking and staging (theatricalizing) history in the works…
“Time Has Caught on Fire
This essay discusses fire as a significant factor shaping Australian social and cultural life. It focuses first on the climate-change induced emotions such as eco-anxiety and anger that can be tied with the Australian landscape, and then moves on to a discussion of the presence and function of fire in selected contemporary Australian poetry. The reflection on the poetics of trauma in the second part of the essay is accompanied by a discussion of …
TaH pagh taHbe
This article discusses experimental translation on the example of intralingual translation in the Play On! Translation project accompanying the Oregon Shakespeare Festival, and intersemotic/intermedial translation in the OMGShakespeare series and Star Trek-related texts. These are approached as exercises in post-translation as defined by Edwin Gentzler in his volume on the subject
Art (5 works) · Literature (5 works) · Philosophy (5 works) · Central European Literary Studies (4 works) · Linguistics (3 works) · Polish-Jewish Holocaust Memory Studies (3 works) · Aesthetics (2 works) · Anger (2 works) · Biology (2 works) · Computer Science (2 works)