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Gabriella Scarlatta

Biographic Data

ID5919973
NAMEGabriella Scarlatta
GIVEN NAMESGabriella
FAMILY NAMEScarlatta
SIGNATURESCARLATTA G
AFFILIATIONSUniversity of Michigan–Dearborn
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT1
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Les “Stances” d’Agrippa d’Aubigné ou la saison de la «disperata»

    Open Access•Gabriella Scarlatta•ARTICLE•Studi Francesi•2024

    This essay traces the development of the disperata and its themes in Italy and their adoption and adaptation in France, where Agrippa d’Aubigné stands as its most remarkable and faithful interpreter. In his Stances in particular, he embraces its motifs with enthusiasm and vigor and creates original and skillful interpretations. Moreover, d’Aubigné replaces love with sophisticated nuances of despair, which are used as a defense mechanism. Indeed, …

  • Le Labérynthe

    Open Access•Gabriella Scarlatta•ARTICLE•Renaissance Quarterly•2022

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

  • Representing the Life and Legacy of Renée de France: From Fille de France to Dowager Duchess

    Open Access•Kelly Digby Peebles, Gabriella Scarlatta•BOOK•Representing the Life and Legacy…•2021

  • Representations of Heresy in Sixteenth-Century France

    Gabriella Scarlatta, Lidia Radi et al.•ARTICLE•Renaissance and Reformation•2018

    Scarlatta, Gabriella, and Lidia Radi, eds. Representations of Heresy in Sixteenth-Century France. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 41, Number 1, Winter 2018, pp. 5-245), on Érudit

  • Sin and Salvation in Early Modern France: Three Women’s Stories

    Open Access•Gabriella Scarlatta•ARTICLE•Renaissance Quarterly•2018

    Sin and Salvation in Early Modern France: Three Women’s Stories. Marguerite d’Auge, Renée Burlamacchi, and Jeanne du Laurens. Ed. Colette H. Winn. Trans. Nicholas Van Handel and Colette H. Winn. The Other Voice in Early Modern Europe: The Toronto Series 53; Medieval and Renaissance Texts and Studies 515. Toronto: Iter Press; Tempe: Arizona Center for Medieval and Renaissance Studies, 2017. xiv + 98 pp. $34.95. - Volume 71 Issue 3

  • Writing Fashion in Early Modern Italy: From Sprezzatura to Satire

    Gabriella Scarlatta•ARTICLE•Sixteenth Century Journal•2016

No prominent works on this page.

  • Writing Fashion in Early Modern Italy: From Sprezzatura to Satire

    Gabriella Scarlatta•ARTICLE•Sixteenth Century Journal•2016

  • Representations of Heresy in Sixteenth-Century France

    Gabriella Scarlatta, Lidia Radi et al.•ARTICLE•Renaissance and Reformation•2018

    Scarlatta, Gabriella, and Lidia Radi, eds. Representations of Heresy in Sixteenth-Century France. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 41, Number 1, Winter 2018, pp. 5-245), on Érudit

  • Sin and Salvation in Early Modern France: Three Women’s Stories

    Open Access•Gabriella Scarlatta•ARTICLE•Renaissance Quarterly•2018

    Sin and Salvation in Early Modern France: Three Women’s Stories. Marguerite d’Auge, Renée Burlamacchi, and Jeanne du Laurens. Ed. Colette H. Winn. Trans. Nicholas Van Handel and Colette H. Winn. The Other Voice in Early Modern Europe: The Toronto Series 53; Medieval and Renaissance Texts and Studies 515. Toronto: Iter Press; Tempe: Arizona Center for Medieval and Renaissance Studies, 2017. xiv + 98 pp. $34.95. - Volume 71 Issue 3

  • Representing the Life and Legacy of Renée de France: From Fille de France to Dowager Duchess

    Open Access•Kelly Digby Peebles, Gabriella Scarlatta•BOOK•Representing the Life and Legacy…•2021

  • Le Labérynthe

    Open Access•Gabriella Scarlatta•ARTICLE•Renaissance Quarterly•2022

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

  • Les “Stances” d’Agrippa d’Aubigné ou la saison de la «disperata»

    Open Access•Gabriella Scarlatta•ARTICLE•Studi Francesi•2024

    This essay traces the development of the disperata and its themes in Italy and their adoption and adaptation in France, where Agrippa d’Aubigné stands as its most remarkable and faithful interpreter. In his Stances in particular, he embraces its motifs with enthusiasm and vigor and creates original and skillful interpretations. Moreover, d’Aubigné replaces love with sophisticated nuances of despair, which are used as a defense mechanism. Indeed, …

Art (5 works) · Historical Studies and Socio-cultural Analysis (4 works) · History (4 works) · Classics (3 works) · Classics (3 works) · History (3 works) · Reformation and Early Modern Christianity (3 works) · Art history (2 works) · French Literature and Criticism (2 works) · Historical Gender and Feminism Studies (2 works)

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