Sally Hickson

Biographic Data

ID5920009
NAMESally Hickson
GIVEN NAMESSally
FAMILY NAMEHickson
SIGNATUREHICKSON S
AFFILIATIONSUniversity of Guelph
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS0
WORKS AS AUTHOR23
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2023
H-INDEX0

  • For the Record

    Sally HicksonARTICLESlavery and Abolition2023

    The Metropolitan Museum’s Portrait of a Man in Armour with Two Pages, painted a sixteenth-century portrait by the Venetian artist Paris Bordone, has been of great interest to art and cultural historians studying the depiction of Black subjects in early modern portrait art, because it is the earliest known work to depict a Black page attending a White male subject. It influenced the development of a distinct European portrait type in which aristoc…

  • Wallace, William E. Michelangelo, God’s Architect

    Sally HicksonARTICLERenaissance and Reformation2020

    Wallace, William E. Michelangelo, God’s Architect: The Story of His Final Years and Greatest Masterpiece. An article from journal Renaissance and Reformation / Renaissance et Réforme (Transformative Translations in Early Modern Britain and France), on Érudit

  • Wood, Christopher S. A History of Art History

    Sally HicksonARTICLERenaissance and Reformation2020

  • Antiquities in Motion

    Open AccessSally HicksonARTICLERenaissance Quarterly2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Exporting Caravaggio

    Open AccessSally HicksonARTICLERenaissance Quarterly2019

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Buying Baroque

    Open AccessSally HicksonARTICLERenaissance Quarterly2018

    Buying Baroque: Italian Seventeenth-Century Paintings Come to America. Edgar Peters Bowron, ed. The Frick Collection Studies in the History of Art Collecting in America. University Park: Pennsylvania State University Press, 2017. xvi + 186 pp. $69.95. - Volume 71 Issue 2

  • Daughter of Venice

    Holly S Hurlburt, Sally HicksonARTICLERenaissance and Reformation2017

    Hurlburt, Holly S. Daughter of Venice: Caterina Corner, Queen of Cyprus and Woman of the Renaissance. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 40, Number 2, Spring 2017, pp. 7-238), on Érudit

  • The Flemish Merchant of Venice

    Christina M Anderson, Sally HicksonARTICLERenaissance and Reformation2017

    Anderson, Christina M. The Flemish Merchant of Venice: Daniel Nijs and the Sale of the Gonzaga Art Collection. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 40, Number 2, Spring 2017, pp. 7-238), on Érudit

  • Pieter Bruegel and the Culture of the Early Modern Dinner Party

    Claudia Goldstein, Sally HicksonARTICLERenaissance and Reformation2015

    Goldstein, Claudia. Pieter Bruegel and the Culture of the Early Modern Dinner Party. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 2, Spring 2015, pp. 5-201), on Érudit

  • Display of Art in the Roman Palace 1550–1750

    Gail Feigenbaum, Francesco Freddolini et al.ARTICLERenaissance and Reformation2015

    Feigenbaum, Gail with Francesco Freddolini. Display of Art in the Roman Palace 1550–1750. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 2, Spring 2015, pp. 5-201), on Érudit

  • Piero della Francesca

    Keith Christiansen, Anna Pizzati et al.ARTICLERenaissance and Reformation2015

    Christiansen, Keith, with contributions by Anna Pizzati and Cecilia Frosinini. Piero della Francesca: Personal Encounters. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 1, Winter 2015, pp. 5-213), on Érudit

  • Titian and the End of the Venetian Renaissance

    Theodore E Nichols, Tom Nichols et al.ARTICLERenaissance and Reformation2014

  • Le prince en représentation

    Open AccessSally HicksonARTICLERenaissance Quarterly2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Bâtir au féminin

    Open AccessSally HicksonARTICLERenaissance Quarterly2014

    Sabine Frommel and Juliette Dumas, eds. Bâtir au féminin?: Traditions et stratégies en Europe et dans l’Empire ottoman. With the collaboration of Raphaël Tassin. Itinéraires percorsi 2. Paris: Editions Picard, 2013. 304 pp. €65. ISBN: 978-2-7084-0953-8. - Volume 67 Issue 2

  • Empire without End

    Kathleen W Christian, Sally HicksonARTICLERenaissance and Reformation2013

    Christian, Kathleen Wren. Empire without End: Antiquities Collections in Renaissance Rome, c. 1350–1527. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 35, Number 2, Spring 2012, pp. 5-187), on Érudit

  • Gifts in Return

    Melinda Schlitt, Sally HicksonARTICLERenaissance and Reformation2013

    Schlitt, Melinda (ed.). Gifts in Return: Essays in Honour of Charles Dempsey. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 36, Number 2, Spring 2013, pp. 5-205), on Érudit

  • The Sensory World of Italian Renaissance Art

    François Quiviger, Sally HicksonARTICLERenaissance and Reformation2013

    Introduction Part I: Sensation in Renaissance Mental Imagery 1 The Scientific and Artistic Traditions 2 Imprese - Mnemonics - Meditation 3 The Human Figure in Art from Middle Ages to Counter Reformation 4 Ornament 5 Allegories Part II: Sensation in Representation 6 Sight 7 Touch 8 Smell 9 Sound 10 Banquets Conclusions References Select Bibliography Acknowledgements Photo Acknowledgements Index

  • Desiring Bodies

    Gregory Heyworth, Sally HicksonARTICLERenaissance and Reformation2012

    Heyworth, Gregory. Desiring Bodies: Ovidian Romance and the Cult of Form. An article from journal Renaissance and Reformation / Renaissance et Réforme (Gendering Time and Space in Early Modern England), on Érudit

  • Becoming Venetian

    Blake de Maria, Sally HicksonARTICLERenaissance and Reformation2011

    De Maria, Blake. Becoming Venetian: Immigrants and the Arts in Early Modern Venice. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 33, Number 4, Fall 2010, pp. 3-151), on Érudit

  • The Patron’s Payoff

    Jonathan K Nelson, Richard Zeckhauser et al.ARTICLERenaissance and Reformation2011

    Nelson, Jonathan K. and Richard J. Zeckhauser. The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 33, Number 4, Fall 2010, pp. 3-151), on Érudit

  • To see ourselves as others see us’

    Open AccessSally HicksonARTICLERenaissance Studies2009

    This paper traces the creation, dissemination and display of a portrait of Isabella d’Este made by Francesco Francia in 1511 from its origins in oral descriptions by Lucrezia d’Este Bentivoglio in Bologna to its status as an object of play within courtly social entertainments hosted by the collector Gian Francesco Zaninello in Ferrara. Such was the success of the Francia portrait that it was borrowed by Isabella to serve as inspiration for anothe…

  • Gian Cristoforo Romano in Rome

    Sally HicksonARTICLERenaissance and Reformation1969

    En 1505, Michel-Ange est appelé à Rome pour travailler sur le tombeau monumental du pape Jules II. Six mois plus tard, alors que Michel-Ange se trouvait à Carrare, le sculpteur et antiquaire Gian Cristoforo Romano était également appelé à Rome par Jules II. En juin 1506, un agent de la cour de Mantoue rapportait que les «premiers sculpteurs de Rome», Michel-Ange et Gian Cristoforo Romano, avaient été appelés ensemble à Rome afin d’inspecter et d’…

  • Henry VIII and the Art of Majesty

    Thomas Campbell, Thomas B Campbell et al.ARTICLERenaissance and Reformation1969