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Emily A Fenichel

Biographic Data

ID5920048
NAMEEmily A Fenichel
GIVEN NAMESEmily A
FAMILY NAMEFenichel
SIGNATUREFENICHEL E A
AFFILIATIONSZero to Three
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2026
H-INDEX1
  • María Asúnsolo by Florence Arquin

    Emily A Fenichel•ARTICLE•Latin American and Latinx Visual…•2026

    María Asúnsolo was an art dealer in mid-twentieth-century Mexico City who inspired her clients and friends to create a remarkable series of portraits of her. Situating the portraits in the tradition of the reclining female nude, artists, art historians, and curators have cast Asúnsolo as a beautiful, inspiring, but ultimately passive muse. In this article, I recontextualize the depictions of Asúnsolo as a series. Rather than focusing on the artis…

  • Michelangelo’s Pietà as Tomb Monument

    Open Access•Emily A Fenichel•ARTICLE•Renaissance Quarterly•2017

    In focusing on Michelangelo’s signature, recent scholarship on his “Pietà” in St. Peter’s has separated the sculpture from its spiritual intent. In contrast, this article will consider how the sculpture group spoke to its original religious context, principally as the funerary monument of Michelangelo’s powerful French patron, Cardinal Lagraulas. The Rome “Pietà” was an important part of the funeral rites for the cardinal that mirrors and amplifi…

  • Irving B. Harris

    Open Access•Joy D Osofsky, Matthew E Melmed et al.•ARTICLE•Infant Mental Health Journal•2005

  • Dc

    Open Access•Donna R Weston, Jean M Thomas et al.•ARTICLE•Infant Mental Health Journal•2003•Cited by: 1•References: 15

    The DC: 0–3 Assessment Protocol Project, an initiative of ZERO‐TO‐THREE's diagnostic classification task force, was undertaken in response to the need for an assessment strategy that would support DC: 0–3 diagnostic formulation for both clinicians and researchers. The Project Workgroup developed and pilot tested an assessment protocol that would: (1) define a sufficiently comprehensive information set to direct and organize observations for clini…

  • Dc

    Open Access•Donna R Weston, Jean M Thomas et al.•ARTICLE•Infant Mental Health Journal•2003•Cited by: 1•References: 15

    The DC: 0–3 Assessment Protocol Project, an initiative of ZERO‐TO‐THREE's diagnostic classification task force, was undertaken in response to the need for an assessment strategy that would support DC: 0–3 diagnostic formulation for both clinicians and researchers. The Project Workgroup developed and pilot tested an assessment protocol that would: (1) define a sufficiently comprehensive information set to direct and organize observations for clini…

  • Dc

    Open Access•Donna R Weston, Jean M Thomas et al.•ARTICLE•Infant Mental Health Journal•2003•Cited by: 1•References: 15

    The DC: 0–3 Assessment Protocol Project, an initiative of ZERO‐TO‐THREE's diagnostic classification task force, was undertaken in response to the need for an assessment strategy that would support DC: 0–3 diagnostic formulation for both clinicians and researchers. The Project Workgroup developed and pilot tested an assessment protocol that would: (1) define a sufficiently comprehensive information set to direct and organize observations for clini…

  • Irving B. Harris

    Open Access•Joy D Osofsky, Matthew E Melmed et al.•ARTICLE•Infant Mental Health Journal•2005

  • Michelangelo’s Pietà as Tomb Monument

    Open Access•Emily A Fenichel•ARTICLE•Renaissance Quarterly•2017

    In focusing on Michelangelo’s signature, recent scholarship on his “Pietà” in St. Peter’s has separated the sculpture from its spiritual intent. In contrast, this article will consider how the sculpture group spoke to its original religious context, principally as the funerary monument of Michelangelo’s powerful French patron, Cardinal Lagraulas. The Rome “Pietà” was an important part of the funeral rites for the cardinal that mirrors and amplifi…

  • María Asúnsolo by Florence Arquin

    Emily A Fenichel•ARTICLE•Latin American and Latinx Visual…•2026

    María Asúnsolo was an art dealer in mid-twentieth-century Mexico City who inspired her clients and friends to create a remarkable series of portraits of her. Situating the portraits in the tradition of the reclining female nude, artists, art historians, and curators have cast Asúnsolo as a beautiful, inspiring, but ultimately passive muse. In this article, I recontextualize the depictions of Asúnsolo as a series. Rather than focusing on the artis…

Computer Science (2 works) · Psychology (2 works) · Agency (philosophy (1 work) · Alternative medicine (1 work) · Applied Psychology (1 work) · Archaeology (1 work) · Art (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Attachment and Relationship Dynamics (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae