Emily Winerock
Biographic Data
| ID | 5920093 |
|---|---|
| NAME | Emily Winerock |
| GIVEN NAMES | Emily |
| FAMILY NAME | Winerock |
| SIGNATURE | WINEROCK E |
| AFFILIATIONS | University of Pittsburgh |
| ORCID | 0000-0002-2180-795X |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Dancing Queen
Performance and Religion in Early Modern England
Performance and Religion in Early Modern England: Stage, Cathedral, Wagon, Street. Matthew J. Smith. ReFormations: Medieval and Early Modern. Notre Dame, IN: University of Notre Dame Press, 2019. xiv + 388 pp. $45. - Volume 73 Issue 2
“The Heaven’s True Figure” or an “Introit to All Kind of Lewdness”?
There are no extant English dancing manuals from the Shakespearean period, but there are abundant printed and manuscript sources that mention dancing. However, these sources convey mixed messages. The theoretical conceptions articulated by dance’s opponents and proponents in the “debate on dance” do not always correspond well with the evidence of customary practices. While early modern religious treatises decry dancing for encouraging illicit sex…
Footprints of the Dance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Stage and Picture in the English Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dancing on Her Grave
In Grigori Kozintsev's Hamlet, Oliver Parker's Othello, and Rupert Goold's Macbeth, three esteemed directors break with tradition and insert a dance for the tragic heroine. They use the heroine's dancing body to contravene genre expectations, to complicate representations of dance as a social practice, and to highlight the theme of the heroine's sexual or political vulnerability. Close attention to these dance sequences and their historical assoc…
Performativity and Performance in Baroque Rome
Performativity and Performance in Baroque Rome. Peter Gillgren and Mårten Snickare, eds. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xiii + 257 pp. $124.95. - Volume 68 Issue 4
Situating Early Dance in Its Historical Context
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Situating Early Dance in Its Historical Context
Performativity and Performance in Baroque Rome
Performativity and Performance in Baroque Rome. Peter Gillgren and Mårten Snickare, eds. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xiii + 257 pp. $124.95. - Volume 68 Issue 4
Dancing on Her Grave
In Grigori Kozintsev's Hamlet, Oliver Parker's Othello, and Rupert Goold's Macbeth, three esteemed directors break with tradition and insert a dance for the tragic heroine. They use the heroine's dancing body to contravene genre expectations, to complicate representations of dance as a social practice, and to highlight the theme of the heroine's sexual or political vulnerability. Close attention to these dance sequences and their historical assoc…
Stage and Picture in the English Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
“The Heaven’s True Figure” or an “Introit to All Kind of Lewdness”?
There are no extant English dancing manuals from the Shakespearean period, but there are abundant printed and manuscript sources that mention dancing. However, these sources convey mixed messages. The theoretical conceptions articulated by dance’s opponents and proponents in the “debate on dance” do not always correspond well with the evidence of customary practices. While early modern religious treatises decry dancing for encouraging illicit sex…
Footprints of the Dance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dancing Queen
Performance and Religion in Early Modern England
Performance and Religion in Early Modern England: Stage, Cathedral, Wagon, Street. Matthew J. Smith. ReFormations: Medieval and Early Modern. Notre Dame, IN: University of Notre Dame Press, 2019. xiv + 388 pp. $45. - Volume 73 Issue 2
Art (8 works) · History (7 works) · Art history (5 works) · Dance (4 works) · Historical Art and Culture Studies (4 works) · History (4 works) · Literature (4 works) · Sociology (4 works) · Visual arts (3 works) · Classics (2 works)