Rhiannon Daniels
Biographic Data
| ID | 5920154 |
|---|---|
| NAME | Rhiannon Daniels |
| GIVEN NAMES | Rhiannon |
| FAMILY NAME | Daniels |
| SIGNATURE | DANIELS R |
| AFFILIATIONS | University of Bristol |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
A History of Poetry in Italy: 1200–1600
Widening the perspective offered by the traditional canon, this history reveals the poetry of Italy between 1200 and 1600 as a site of plurality of genre, form and even language, including not just written texts but also those presented in performance. Within this inclusive framing, poetry's content, its cultural and geographical contexts and its material media of transmission are given equal weight. Decentring major figures and their texts while…
History of Poetry in Italy: 1200-1600
The Tale of Calandrino and the Stolen Pig (VIII.6)
Italian Material Cultures
This article explores research related to material cultures and the role played by material objects in the construction of italianità. A survey of critical concerns and historical perspectives on the intersections between Italian Studies and Material Culture Studies locates material culture within the evolving interdisciplinarity of Italian Studies and highlights the methodological approaches adopted in the field. This is followed by three new ca…
Printing Petrarch in the Mid-Cinquecento: Giolito, Vellutello, and Collaborative Authorship
This article uses the theory of collaborative authorship to evaluate the ways in which multiple authorities operate within the pages of sixteenth-century editions of Petrarch’s Rerum vulgarium fragmenta (Rvf) and Triumphi printed by Gabriele Giolito. These authorities include Petrarch as author of the poems, Vellutello as author of the commentary, and the printer-publisher Giolito, whose publishing enterprise creates additional paratexts and fram…
Boccaccio and the Book
Boccaccio and the Book: Production and Reading in Italy 1340-1520
The Cambridge Companion to Boccaccio
Armstrong, Guyda, Rhiannon Daniels, and Stephen J. Milner, eds. The Cambridge Companion to Boccaccio. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 39, Number 1, Winter 2016, pp. 5-212), on Érudit
La scrittura e i libri di Giovanni Boccaccio
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Boccaccio's Naked Muse: Eros, Culture, and Mythopoetic Imagination - By Tobias Foster Gittes
No prominent works on this page.
Boccaccio's Naked Muse: Eros, Culture, and Mythopoetic Imagination - By Tobias Foster Gittes
La scrittura e i libri di Giovanni Boccaccio
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Cambridge Companion to Boccaccio
Armstrong, Guyda, Rhiannon Daniels, and Stephen J. Milner, eds. The Cambridge Companion to Boccaccio. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 39, Number 1, Winter 2016, pp. 5-212), on Érudit
Boccaccio and the Book
Boccaccio and the Book: Production and Reading in Italy 1340-1520
The Tale of Calandrino and the Stolen Pig (VIII.6)
Italian Material Cultures
This article explores research related to material cultures and the role played by material objects in the construction of italianità. A survey of critical concerns and historical perspectives on the intersections between Italian Studies and Material Culture Studies locates material culture within the evolving interdisciplinarity of Italian Studies and highlights the methodological approaches adopted in the field. This is followed by three new ca…
Printing Petrarch in the Mid-Cinquecento: Giolito, Vellutello, and Collaborative Authorship
This article uses the theory of collaborative authorship to evaluate the ways in which multiple authorities operate within the pages of sixteenth-century editions of Petrarch’s Rerum vulgarium fragmenta (Rvf) and Triumphi printed by Gabriele Giolito. These authorities include Petrarch as author of the poems, Vellutello as author of the commentary, and the printer-publisher Giolito, whose publishing enterprise creates additional paratexts and fram…
A History of Poetry in Italy: 1200–1600
Widening the perspective offered by the traditional canon, this history reveals the poetry of Italy between 1200 and 1600 as a site of plurality of genre, form and even language, including not just written texts but also those presented in performance. Within this inclusive framing, poetry's content, its cultural and geographical contexts and its material media of transmission are given equal weight. Decentring major figures and their texts while…
History of Poetry in Italy: 1200-1600
Art (6 works) · History (5 works) · History (4 works) · Renaissance and Early Modern Studies (4 works) · Literature (2 works) · Visual arts (2 works) · 1313-1375 (1 works) · Agency (philosophy (1 works) · Archaeology (1 works) · Art history (1 works)