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James W Stone

Biographic Data

ID5920289
NAMEJames W Stone
GIVEN NAMESJames W
FAMILY NAMEStone
SIGNATURESTONE J W
AFFILIATIONSUniversity of California, Berkeley
ORCID0009-0004-6442-7086
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2011
H-INDEX0
  • Crossing Gender in Shakespeare

    James W Stone, Winfried Schleiner•ARTICLE•Renaissance and Reformation•2011

    Stone, James W. Crossing Gender in Shakespeare: Feminist Psychoanalysis and the Difference Within. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 33, Number 4, Fall 2010, pp. 3-151), on Érudit

  • Indian and Amazon

    Open Access•James W Stone•CHAPTER•English Renaissance, Orientalism,…•2009

    Asia, under its wonted rubric of the exotic Orient, makes its way into the text of A Midsummer Night’s Dream as a non sequitur, the surprise that Greece is not hegemonic or omnipresent, or the sole locus of the drama. “Why art thou here, / Come from the farthest step of India?” (2.1.68-69), Titania asks Oberon in their first dialog under moonlight. 1 Her free association of India with sexual license is a predilection that many of Shakespeare’s co…

  • Shakespeare's Romeo and Juliet

    Open Access•James W Stone•ARTICLE•Renaissance Quarterly•1997

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

No prominent works on this page.

  • Shakespeare's Romeo and Juliet

    Open Access•James W Stone•ARTICLE•Renaissance Quarterly•1997

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Indian and Amazon

    Open Access•James W Stone•CHAPTER•English Renaissance, Orientalism,…•2009

    Asia, under its wonted rubric of the exotic Orient, makes its way into the text of A Midsummer Night’s Dream as a non sequitur, the surprise that Greece is not hegemonic or omnipresent, or the sole locus of the drama. “Why art thou here, / Come from the farthest step of India?” (2.1.68-69), Titania asks Oberon in their first dialog under moonlight. 1 Her free association of India with sexual license is a predilection that many of Shakespeare’s co…

  • Crossing Gender in Shakespeare

    James W Stone, Winfried Schleiner•ARTICLE•Renaissance and Reformation•2011

    Stone, James W. Crossing Gender in Shakespeare: Feminist Psychoanalysis and the Difference Within. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 33, Number 4, Fall 2010, pp. 3-151), on Érudit

Art (3 works) · History (2 works) · Literature (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Ancient history (1 work) · Art history (1 work) · Cleopatra (1 work) · Content (measure theory (1 work) · Drama (1 work) · Geography (1 work)

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