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Diletta Gamberini

Biographic Data

ID5920835
NAMEDiletta Gamberini
GIVEN NAMESDiletta
FAMILY NAMEGamberini
SIGNATUREGAMBERINI D
AFFILIATIONSKunsthistorisches Institut in Florenz
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2024
H-INDEX1
  • La seduzione del corpo, l’assenza dell’anima

    Diletta Gamberini•ARTICLE•I Tatti Studies•2024

  • Rappresentare le lacerazioni dell’animo

    Diletta Gamberini•ARTICLE•I Tatti Studies•2020•Cited by: 1

  • A Bronze Manifesto of Petrarchism

    Diletta Gamberini•ARTICLE•I Tatti Studies•2016

  • Vincenzo Danti’s Deceits

    Open Access•Michael Cole, Diletta Gamberini•ARTICLE•Renaissance Quarterly•2016

    The great sculptor Vincenzo Danti wrote one of the longest poems to have survived from a Renaissance artist, but the text’s close thematic and conceptual connections to its author’s art have gone entirely unnoticed. What Danti’s poem and sculpture share, this essay argues, is a concern with mystified identity. Danti’s poetic sensibility stands at odds with the biographical frameworks that typically guide the interpretation of Renaissance art and …

  • Rappresentare le lacerazioni dell’animo

    Diletta Gamberini•ARTICLE•I Tatti Studies•2020•Cited by: 1

  • A Bronze Manifesto of Petrarchism

    Diletta Gamberini•ARTICLE•I Tatti Studies•2016

  • Vincenzo Danti’s Deceits

    Open Access•Michael Cole, Diletta Gamberini•ARTICLE•Renaissance Quarterly•2016

    The great sculptor Vincenzo Danti wrote one of the longest poems to have survived from a Renaissance artist, but the text’s close thematic and conceptual connections to its author’s art have gone entirely unnoticed. What Danti’s poem and sculpture share, this essay argues, is a concern with mystified identity. Danti’s poetic sensibility stands at odds with the biographical frameworks that typically guide the interpretation of Renaissance art and …

  • Rappresentare le lacerazioni dell’animo

    Diletta Gamberini•ARTICLE•I Tatti Studies•2020•Cited by: 1

  • La seduzione del corpo, l’assenza dell’anima

    Diletta Gamberini•ARTICLE•I Tatti Studies•2024

Art (4 works) · Art history (3 works) · Humanities (3 works) · Renaissance and Early Modern Studies (3 works) · The Renaissance (3 works) · Italian Renaissance (2 works) · Philosophy (2 works) · Philosophy (2 works) · Sculpture (2 works) · Visual Culture and Art Theory (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae