Stefaniia Demchuk
Biographic Data
| ID | 5920895 |
|---|---|
| NAME | Stefaniia Demchuk |
| GIVEN NAMES | Stefaniia |
| FAMILY NAME | Demchuk |
| SIGNATURE | DEMCHUK S |
| AFFILIATIONS | Taras Shevchenko National University of Kyiv |
| ORCID | 0000-0003-3477-1316 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Decolonizing Ukrainian Art History
In this article, we analyze the influence of the colonial policy of the Russian Empire and the Soviet Union on Ukrainian art-historical writing. As we shall reveal, the mechanisms of knowledge production created during that period continued to operate after the Declaration of Independence of Ukraine in 1991. The limitations that were imposed on the art-historical community, which can be regarded as colonial, shaped the crucial narratives (of the …
Many Antwerp Hands
Memory, Trauma, and Religious Identity
The so-called ‘memorial turn’ triggered a huge shift in historical studies of the late 20th century. It brought into focus stories of the ‘small people’ previously left out from the ‘grand narrative.’ For post-Soviet countries, the memorial turn can be perceived as an indicator of changes in society associated with the opportunity and interest of previously oppressed social groups and religious movements in finding their "roots," when the reconst…
No prominent works on this page.
Memory, Trauma, and Religious Identity
The so-called ‘memorial turn’ triggered a huge shift in historical studies of the late 20th century. It brought into focus stories of the ‘small people’ previously left out from the ‘grand narrative.’ For post-Soviet countries, the memorial turn can be perceived as an indicator of changes in society associated with the opportunity and interest of previously oppressed social groups and religious movements in finding their "roots," when the reconst…
Decolonizing Ukrainian Art History
In this article, we analyze the influence of the colonial policy of the Russian Empire and the Soviet Union on Ukrainian art-historical writing. As we shall reveal, the mechanisms of knowledge production created during that period continued to operate after the Declaration of Independence of Ukraine in 1991. The limitations that were imposed on the art-historical community, which can be regarded as colonial, shaped the crucial narratives (of the …
Many Antwerp Hands
Art (2 works) · History (2 works) · Political science (2 works) · Aesthetics (1 works) · Art history (1 works) · Biology (1 works) · Collective identity (1 works) · Collective memory (1 works) · Eastern European Communism and Reforms (1 works) · European history and politics (1 works)