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Massimo Ossi

Biographic Data

ID5921040
NAMEMassimo Ossi
GIVEN NAMESMassimo
FAMILY NAMEOssi
SIGNATUREOSSI M
AFFILIATIONSIndiana University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Sources of Identity: Makers, Owners, and Users of Music Sources before 1600

    Open Access•Massimo Ossi•ARTICLE•Renaissance Quarterly•2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530

    Open Access•Massimo Ossi•ARTICLE•Renaissance Quarterly•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence

    Open Access•Massimo Ossi•ARTICLE•Renaissance Quarterly•2015

    Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. Tim Carter and Richard A. Goldthwaite. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiv + 480 pp. $49.95. - Volume 68 Issue 2

  • Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli

    Massimo Ossi•ARTICLE•Music and Letters•2008

    Claudio Monteverdi's choice of Cruda Amarilli to open his fifth book of madrigals (1605) is most obviously related to the book's narrative design, which it initiates as a dialogue, followed by O Mirtillo, but it also serves to highlight the importance of one of the works most criticized by Giovanni Maria Artusi after he heard the piece in Ferrara in 1598. When compared with settings of the same text by Benedetto Pallavicino and Giaches de Wert, C…

  • Monteverdi as Reader of Petrarch

    Massimo Ossi•ARTICLE•Journal of Medieval and Early…•2005

    Research Article| September 01 2005 Monteverdi as Reader of Petrarch Massimo Ossi Massimo Ossi Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2005) 35 (3): 663–680. https://doi.org/10.1215/10829636-35-3-663 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cit…

  • Madrigal

    Kurt Von Fischer, Gianluca D’Agostino et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Concerted madrigal

    Massimo Ossi, Nigel Fortune•CHAPTER•The new Grove dictionary of music…•2001

No prominent works on this page.

  • Madrigal

    Kurt Von Fischer, Gianluca D’Agostino et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Concerted madrigal

    Massimo Ossi, Nigel Fortune•CHAPTER•The new Grove dictionary of music…•2001

  • Monteverdi as Reader of Petrarch

    Massimo Ossi•ARTICLE•Journal of Medieval and Early…•2005

    Research Article| September 01 2005 Monteverdi as Reader of Petrarch Massimo Ossi Massimo Ossi Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2005) 35 (3): 663–680. https://doi.org/10.1215/10829636-35-3-663 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cit…

  • Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli

    Massimo Ossi•ARTICLE•Music and Letters•2008

    Claudio Monteverdi's choice of Cruda Amarilli to open his fifth book of madrigals (1605) is most obviously related to the book's narrative design, which it initiates as a dialogue, followed by O Mirtillo, but it also serves to highlight the importance of one of the works most criticized by Giovanni Maria Artusi after he heard the piece in Ferrara in 1598. When compared with settings of the same text by Benedetto Pallavicino and Giaches de Wert, C…

  • Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence

    Open Access•Massimo Ossi•ARTICLE•Renaissance Quarterly•2015

    Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. Tim Carter and Richard A. Goldthwaite. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiv + 480 pp. $49.95. - Volume 68 Issue 2

  • Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530

    Open Access•Massimo Ossi•ARTICLE•Renaissance Quarterly•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Sources of Identity: Makers, Owners, and Users of Music Sources before 1600

    Open Access•Massimo Ossi•ARTICLE•Renaissance Quarterly•2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (5 works) · Art history (3 works) · Diverse Musicological Studies (3 works) · Aesthetics (2 works) · Classics (2 works) · Historical Influence and Diplomacy (2 works) · History (2 works) · History (2 works) · Identity (music (2 works) · Mathematics (2 works)

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