Massimo Ossi
Biographic Data
| ID | 5921040 |
|---|---|
| NAME | Massimo Ossi |
| GIVEN NAMES | Massimo |
| FAMILY NAME | Ossi |
| SIGNATURE | OSSI M |
| AFFILIATIONS | Indiana University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Sources of Identity: Makers, Owners, and Users of Music Sources before 1600
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Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence
Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. Tim Carter and Richard A. Goldthwaite. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiv + 480 pp. $49.95. - Volume 68 Issue 2
Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli
Claudio Monteverdi's choice of Cruda Amarilli to open his fifth book of madrigals (1605) is most obviously related to the book's narrative design, which it initiates as a dialogue, followed by O Mirtillo, but it also serves to highlight the importance of one of the works most criticized by Giovanni Maria Artusi after he heard the piece in Ferrara in 1598. When compared with settings of the same text by Benedetto Pallavicino and Giaches de Wert, C…
Monteverdi as Reader of Petrarch
Research Article| September 01 2005 Monteverdi as Reader of Petrarch Massimo Ossi Massimo Ossi Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2005) 35 (3): 663–680. https://doi.org/10.1215/10829636-35-3-663 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cit…
Madrigal
Concerted madrigal
No prominent works on this page.
Madrigal
Concerted madrigal
Monteverdi as Reader of Petrarch
Research Article| September 01 2005 Monteverdi as Reader of Petrarch Massimo Ossi Massimo Ossi Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2005) 35 (3): 663–680. https://doi.org/10.1215/10829636-35-3-663 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cit…
Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli
Claudio Monteverdi's choice of Cruda Amarilli to open his fifth book of madrigals (1605) is most obviously related to the book's narrative design, which it initiates as a dialogue, followed by O Mirtillo, but it also serves to highlight the importance of one of the works most criticized by Giovanni Maria Artusi after he heard the piece in Ferrara in 1598. When compared with settings of the same text by Benedetto Pallavicino and Giaches de Wert, C…
Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence
Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. Tim Carter and Richard A. Goldthwaite. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiv + 480 pp. $49.95. - Volume 68 Issue 2
Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Sources of Identity: Makers, Owners, and Users of Music Sources before 1600
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art (5 works) · Art history (3 works) · Diverse Musicological Studies (3 works) · Aesthetics (2 works) · Classics (2 works) · Historical Influence and Diplomacy (2 works) · History (2 works) · History (2 works) · Identity (music (2 works) · Mathematics (2 works)