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Matthew Knox Averett

Biographic Data

ID5921202
NAMEMatthew Knox Averett
GIVEN NAMESMatthew Knox
FAMILY NAMEAverett
SIGNATUREAVERETT M K
AFFILIATIONSCreighton University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Andrea Pozzo and the Religious Theatre of the Seventeenth Century

    Open Access•Matthew Knox Averett•ARTICLE•Renaissance Quarterly•2022

    Andrea Pozzo and the Religious Theatre of the Seventeenth Century. Andrew Horn. Early Modern Catholicism and the Visual Arts 18. Philadelphia, PA: Saint Joseph's University Press, 2019. x + 428 pp. $120. - Volume 75 Issue 3

  • Jerome Nadal

    Matthew Knox Averett•ARTICLE•Sixteenth Century Journal•2017

  • Pressing Metal, Pressing Politics

    Open Access•Matthew Averett, Matthew Knox Averett•ARTICLE•Religions•2016•References: 9

    This article surveys images depicted on the reverses of papal annual medals in the seventeenth century, beginning in 1605 under Paul V (r. 1605-21) with the first confirmed annual medal, and ending in 1700 at the conclusion of the papacy of Innocent XII (r. 1691-1700), a reign that marked a distinct change in papal politics in advance of the eighteenth century. The article mines a wealth of numismatics images and places it within a narrative of s…

  • "Redditus orbis erat"

    Matthew Knox Averett•ARTICLE•Sixteenth Century Journal•2014

    This article reconsiders Gian Lorenzo Bernini's Triton Fountain and Fountain of the Bees, both commissioned by Pope Urban VIII Barberini. Modern scholarship, citing a Renaissance emblem in which Triton represents "immortality acquired by literary study," has asserted that the Triton Fountain is a statement on the literary achievements of Urban, who was a poet of some note. In classical literature, however, Triton often appears as a combatant in d…

  • Bernini's Beloved

    Matthew Knox Averett•ARTICLE•Sixteenth Century Journal•2013

  • Bernini

    Open Access•Matthew Knox Averett•ARTICLE•Renaissance Quarterly•2012

    Franco Mormando. Bernini: His Life and His Rome. Chicago: University of Chicago Press, 2011. xix + 430 pp. $35. ISBN: 978–0–226–53852–5. - Domenico Bernini. The Life of Gian Lorenzo Bernini by Domenico Bernini: A Translation and Critical Edition, with Introduction and Commentary. Ed. and trans., Franco Mormando. University Park: Pennsylvania State University, 2011. xvi + 482 pp. $99.95. ISBN: 978–0–271–03748–6. - Volume 65 Issue 2

  • Guercino's Paintings and His Patron's Politics in Early Modern Italy

    Matthew Knox Averett•ARTICLE•Sixteenth Century Journal•2011

No prominent works on this page.

  • Guercino's Paintings and His Patron's Politics in Early Modern Italy

    Matthew Knox Averett•ARTICLE•Sixteenth Century Journal•2011

  • Bernini

    Open Access•Matthew Knox Averett•ARTICLE•Renaissance Quarterly•2012

    Franco Mormando. Bernini: His Life and His Rome. Chicago: University of Chicago Press, 2011. xix + 430 pp. $35. ISBN: 978–0–226–53852–5. - Domenico Bernini. The Life of Gian Lorenzo Bernini by Domenico Bernini: A Translation and Critical Edition, with Introduction and Commentary. Ed. and trans., Franco Mormando. University Park: Pennsylvania State University, 2011. xvi + 482 pp. $99.95. ISBN: 978–0–271–03748–6. - Volume 65 Issue 2

  • Bernini's Beloved

    Matthew Knox Averett•ARTICLE•Sixteenth Century Journal•2013

  • "Redditus orbis erat"

    Matthew Knox Averett•ARTICLE•Sixteenth Century Journal•2014

    This article reconsiders Gian Lorenzo Bernini's Triton Fountain and Fountain of the Bees, both commissioned by Pope Urban VIII Barberini. Modern scholarship, citing a Renaissance emblem in which Triton represents "immortality acquired by literary study," has asserted that the Triton Fountain is a statement on the literary achievements of Urban, who was a poet of some note. In classical literature, however, Triton often appears as a combatant in d…

  • Pressing Metal, Pressing Politics

    Open Access•Matthew Averett, Matthew Knox Averett•ARTICLE•Religions•2016•References: 9

    This article surveys images depicted on the reverses of papal annual medals in the seventeenth century, beginning in 1605 under Paul V (r. 1605-21) with the first confirmed annual medal, and ending in 1700 at the conclusion of the papacy of Innocent XII (r. 1691-1700), a reign that marked a distinct change in papal politics in advance of the eighteenth century. The article mines a wealth of numismatics images and places it within a narrative of s…

  • Jerome Nadal

    Matthew Knox Averett•ARTICLE•Sixteenth Century Journal•2017

  • Andrea Pozzo and the Religious Theatre of the Seventeenth Century

    Open Access•Matthew Knox Averett•ARTICLE•Renaissance Quarterly•2022

    Andrea Pozzo and the Religious Theatre of the Seventeenth Century. Andrew Horn. Early Modern Catholicism and the Visual Arts 18. Philadelphia, PA: Saint Joseph's University Press, 2019. x + 428 pp. $120. - Volume 75 Issue 3

Art (7 works) · Art history (5 works) · Political science (4 works) · Renaissance and Early Modern Studies (4 works) · History (3 works) · Law (3 works) · Politics (3 works) · Computer Science (2 works) · Early Modern Women Writers (2 works) · Historical and Religious Studies of Rome (2 works)

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