Andrew R Walkling

Biographic Data

ID5921231
NAMEAndrew R Walkling
GIVEN NAMESAndrew R
FAMILY NAMEWalkling
SIGNATUREWALKLING A R
AFFILIATIONSBinghamton University
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS2
WORKS AS AUTHOR11
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2021
H-INDEX1

  • Professional Actors as Royal Drama Coaches, 1674–81

    Andrew R WalklingARTICLERestoration and Eighteenth-Century…2021

    This article explores the history of several anecdotes relating to the theatrical coaching and training of members of the royal family, particularly Princess Anne, the future queen, by professional actors during the last decade of Charles II's reign. These anecdotes are not found in any contemporary archival or printed sources; rather, they were first published in the 1740s in a variety of memoirs and encyclopedic compendia relating to the histor…

  • With Mornefull Musique

    Open AccessAndrew R WalklingARTICLERenaissance Quarterly2021

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Scott, Samuel

    Andrew R WalklingCHAPTERThe new Grove dictionary of music…2019

  • Queen Anne

    Andrew R WalklingARTICLEMusic and Letters2016

    Journal Article Queen Anne: Patroness of Arts . By James Anderson Winn Get access Queen Anne: Patroness of Arts . By James Anderson Winn . pp. xxi + 792 . ( Oxford University Press , New York and Oxford , 2014 . £30/$41.95. ISBN 978-0-19-937219-5 .) Andrew R. Walkling Andrew R. Walkling SUNY Binghamton Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 97, Issue 1, February 2016, Pages 157–161, http…

  • Concepts of Creativity in Seventeenth-Century England

    Rebecca Herissone, Alan Howard et al.EDITORBOOKConcepts of Creativity in…2013

    The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not conscio…

  • Politics and Theatrical Culture in Restoration England

    Open AccessAndrew R WalklingARTICLEHistory Compass2007Cited by: 2References: 5

    This article explores the relationship between politics and the theatre in England between 1660 and 1688. Following a discussion of the place of the theatre within the broader political landscape, the article looks at the political nature of the drama during this period, outlining the various ways in which plays could comment upon contemporary politics, ranging from overt political satire to ‘impressionistic’ allegory to complex roman à clef . Ad…

  • London and the Restoration, 1659–1683

    Open AccessAndrew R WalklingARTICLERenaissance Quarterly2006

    Gary S. De Krey. London and the Restoration, 1659–1683. Cambridge Studies in Early Modern British History. Cambridge: Cambridge University Press, 2005. xx + 472 pp. index. append. tbls. map. bibl. $100. ISBN: 0-521-84071-6. - Volume 59 Issue 3

  • Lownes, Matthew

    Miriam Miller, Andrew R WalklingCHAPTERThe new Grove dictionary of music…2001

  • Lownes, Humfrey

    Miriam Miller, Andrew R WalklingCHAPTERThe new Grove dictionary of music…2001

  • The Essex House Masque of 1621

    Open AccessAndrew R WalklingARTICLERenaissance Quarterly2001

    Timothy Raylor, The Essex House Masque of 1621: Viscount Doncaster and the Jacobean Masque. (Medieval and Renaissance Literary Studies.) Pittsburgh: Duquesne University Press, 2000. xx + 24 illus + 204 pp. $58. ISBN: 0-8207-0310-9. - Volume 54 Issue 3

  • A Score for the Lord's Masque by Thomas Campion

    Open AccessAndrew R WalklingARTICLERenaissance Quarterly1998

    Andrew J. Sabol, ed. A Score for The Lord's Masque by Thomas Campion. Hanover and London: Brown University Press (University Press of New England), 1993. 19 ill + xx + 348 pp. $75. ISBN: 10-87541-569-6. - Volume 51 Issue 4

  • Politics and the Restoration masque

    Open AccessAndrew R WalklingCHAPTERCulture and Society in the Stuart…1995

    Our understanding of the relationship between politics and literature in early-modern England has increased significantly in recent years, and we are now seeing the beginnings of a full investigation into the ways in which much of the literature – particularly the drama – of Restoration England was explicitly political, both in its conception and in its rhetoric. Yet despite this growing interest in the political nature of Restoration literature,…