Heidi Craig
Biographic Data
| ID | 5921311 |
|---|---|
| NAME | Heidi Craig |
| GIVEN NAMES | Heidi |
| FAMILY NAME | Craig |
| SIGNATURE | CRAIG H |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Reprints and Revivals of Renaissance Drama
Studies of early modern English drama in print and performance have often prioritized – or even fetishized – first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespear…
Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the rec…
The King's Servants in Printed Paratexts, 1594–1695
This essay examines cast and actor lists, as well as other allusions to actors in prologues and epilogues, in plays printed and reprinted between 1594 and 1695. Heidi Craig addresses the evolution of attempts to record actors' involvement in print in the seventeenth century, focusing on three distinct moments in playbook publishing: before 1642, during 1642–60, and after 1660. Analyzing cast and actor lists in collections and in single-text playb…
Untimely Deaths in Renaissance Drama
deftly interrogates the interplay between various forms of popular culture in the period
“Villanies of that damnd Kéeper”
Previous articleNext article Free“Villanies of that damnd Kéeper”: Caregiving, Criminality, and Contagion in Early Modern EnglandHeidi CraigHeidi Craig Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreThe disease is said to be imported; xenophobic and racist hostility against those deemed to be “foreigners…
The King's Servants in Printed Paratexts, 1594–1695
This essay examines cast and actor lists, as well as other allusions to actors in prologues and epilogues, in plays printed and reprinted between 1594 and 1695. Heidi Craig addresses the evolution of attempts to record actors' involvement in print in the seventeenth century, focusing on three distinct moments in playbook publishing: before 1642, during 1642–60, and after 1660. Analyzing cast and actor lists in collections and in single-text playb…
“Villanies of that damnd Kéeper”
Previous articleNext article Free“Villanies of that damnd Kéeper”: Caregiving, Criminality, and Contagion in Early Modern EnglandHeidi CraigHeidi Craig Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreThe disease is said to be imported; xenophobic and racist hostility against those deemed to be “foreigners…
The King's Servants in Printed Paratexts, 1594–1695
This essay examines cast and actor lists, as well as other allusions to actors in prologues and epilogues, in plays printed and reprinted between 1594 and 1695. Heidi Craig addresses the evolution of attempts to record actors' involvement in print in the seventeenth century, focusing on three distinct moments in playbook publishing: before 1642, during 1642–60, and after 1660. Analyzing cast and actor lists in collections and in single-text playb…
Untimely Deaths in Renaissance Drama
deftly interrogates the interplay between various forms of popular culture in the period
Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the rec…
Reprints and Revivals of Renaissance Drama
Studies of early modern English drama in print and performance have often prioritized – or even fetishized – first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespear…
Art (3 works) · Drama (3 works) · History (3 works) · Literature (3 works) · The Renaissance (3 works) · Art history (2 works) · History (2 works) · Law (2 works) · Performance art (2 works) · Philippine History and Culture (2 works)