Babette Bohn
Biographic Data
| ID | 5921453 |
|---|---|
| NAME | Babette Bohn |
| GIVEN NAMES | Babette |
| FAMILY NAME | Bohn |
| SIGNATURE | BOHN B |
| AFFILIATIONS | Texas Christian University |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Women Artists and Patrons in the Netherlands, 1500–1700
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
The construction of artistic reputation in Seicento Bologna
The critical receptions of Guido Reni, Giovanni Andrea Sirani, and Elisabetta Sirani suggest that in seventeenth‐century Bologna, technical brilliance was consistently valued more highly than iconographic invention. This essay assesses the differing critical fortunes of these three artists through the commentaries of the early writers, patterns of attribution (for drawings and paintings) and collecting, and economic rewards for their works. These…
The Invention of Annibale Carracci
Clare Robertson. The Invention of Annibale Carracci. Studi della Bibliotheca Hertziana 4. Milan: Silvana Editoriale, 2008. 418 pp. + 133 color and 42 b/w pls. index. illus. bibl. €90. ISBN: 978–8–836–60974–1. - Volume 62 Issue 4
Drawing Relationships in Northern Italian Renaissance Art
Female self‐portraiture in early modern Bologna
Lavinia Fontana
Caroline P. Murphy. Lavinia Fontana: A Painter and Her Patrons in Sixteenth- Century Bologna. New Haven and London: Yale University Press, 2003. vii + 236 pp. + 60 col. and 170 b/w pis. index, append, illus. bibl. $60. ISBN: 0-300-09913-4. - Volume 57 Issue 2
Raimondi, Marcantonio
The antique heroines of Elisabetta Sirani
The painter Elisabetta Sirani (1638‐1665), a pivotal figure in promoting the prominence of women artists in her native city of Bologna, was innovative in her portrayals of heroines from classical antiquity. Avoiding the eroticism generally employed by male contemporaries like Guido Reni, Sirani characterized such figures as Portia, Timoclea, and Cleopatra by virtues more commonly associated with men than women during the early modern period in It…
Artemisia Gentileschi and the Authority of Art
R. Ward Bissell, Artemisia Gentileschi and the Authority of Art. University Park, Pennsylvania: Pennsylvania State University Press, 1999. 27 color pls. + 257 b/w illus. + 446 pp. $85. ISBN: 0-271-01787-2. - Volume 54 Issue 1
The Tombs of the Doges of Venice
The Tombs of the Doges of Venice
Artemisia Gentileschi and the Authority of Art
R. Ward Bissell, Artemisia Gentileschi and the Authority of Art. University Park, Pennsylvania: Pennsylvania State University Press, 1999. 27 color pls. + 257 b/w illus. + 446 pp. $85. ISBN: 0-271-01787-2. - Volume 54 Issue 1
The antique heroines of Elisabetta Sirani
The painter Elisabetta Sirani (1638‐1665), a pivotal figure in promoting the prominence of women artists in her native city of Bologna, was innovative in her portrayals of heroines from classical antiquity. Avoiding the eroticism generally employed by male contemporaries like Guido Reni, Sirani characterized such figures as Portia, Timoclea, and Cleopatra by virtues more commonly associated with men than women during the early modern period in It…
Raimondi, Marcantonio
Female self‐portraiture in early modern Bologna
Lavinia Fontana
Caroline P. Murphy. Lavinia Fontana: A Painter and Her Patrons in Sixteenth- Century Bologna. New Haven and London: Yale University Press, 2003. vii + 236 pp. + 60 col. and 170 b/w pis. index, append, illus. bibl. $60. ISBN: 0-300-09913-4. - Volume 57 Issue 2
Drawing Relationships in Northern Italian Renaissance Art
The Invention of Annibale Carracci
Clare Robertson. The Invention of Annibale Carracci. Studi della Bibliotheca Hertziana 4. Milan: Silvana Editoriale, 2008. 418 pp. + 133 color and 42 b/w pls. index. illus. bibl. €90. ISBN: 978–8–836–60974–1. - Volume 62 Issue 4
The construction of artistic reputation in Seicento Bologna
The critical receptions of Guido Reni, Giovanni Andrea Sirani, and Elisabetta Sirani suggest that in seventeenth‐century Bologna, technical brilliance was consistently valued more highly than iconographic invention. This essay assesses the differing critical fortunes of these three artists through the commentaries of the early writers, patterns of attribution (for drawings and paintings) and collecting, and economic rewards for their works. These…
Women Artists and Patrons in the Netherlands, 1500–1700
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
Art (5 works) · Art history (5 works) · Renaissance and Early Modern Studies (5 works) · History (4 works) · History (4 works) · Sociology (4 works) · Visual arts (4 works) · Computer Science (3 works) · Historical Art and Culture Studies (3 works) · Painting (3 works)