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Evelyn Birge Vitz

Biographic Data

ID5921619
NAMEEvelyn Birge Vitz
GIVEN NAMESEvelyn Birge
FAMILY NAMEVitz
SIGNATUREVITZ E B
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS0
WORKS AS AUTHOR16
WORKS AS EDITOR2
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR2009
H-INDEX0
  • A Common Stage

    Evelyn Birge Vitz•ARTICLE•Speculum•2009

  • Tales with Guts

    Evelyn Birge Vitz•ARTICLE•TDR/The Drama Review•2008

    Scholars of medieval Europe tend to see aural performances of narrative works as just medieval “books on tape” with a disembodied reader. But the auditory element was often only a small part of the live performance. Narrative works in medieval Europe were performed, and storytellers engaged audiences' bodies and emotions as well as their minds. Richard Schechner's “Rasaesthetics” helps us recognize the strong emotional flavors and dynamism inhere…

  • Cultural Performances in Medieval France

    Nancy Freeman Regalado, Eglal Doss-Quinby et al.•EDITOR•BOOK•Cultural Performances in Medieval…•2007

  • Performing Medieval Narrative

    Open Access•Brian J Levy, Evelyn Birge Vitz et al.•EDITOR•BOOK•Performing Medieval Narrative•2005

    Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance.

  • Marie-Madeleine dans la littérature du moyen âge . Elisabeth Pinto-Mathieu

    Evelyn Birge Vitz•ARTICLE•Speculum•2002

  • Villon's Last Will

    Evelyn Birge Vitz•ARTICLE•Speculum•1999

  • Lecture du Testament Villon

    Evelyn Birge Vitz•ARTICLE•Speculum•1994

  • Pretentious, Preposterous, Pathetic

    Open Access•Paul C Vitz, Evelyn Birge Vitz•ARTICLE•Journal of Psychology and Theology•1993

    This response provides critique both of Mary Daly's work and of Henking's (1993) treatment of Daly's material. Critique of Daly's works focuses on the inappropriate use of psychological concepts and the rejecting and paranoid attitudes she displays toward religion, society, men, and women. Although Daly's works appear to be founded in psychology, she applies terms meant to describe intrapersonal psychological phenomena (e.g., projection, introjec…

  • Brothers of Dragons

    Evelyn Birge Vitz•ARTICLE•Speculum•1992

  • Mutations Temporelles et Cheminement Spirituel

    Evelyn Birge Vitz•ARTICLE•Speculum•1990

  • Résurgences

    Evelyn Birge Vitz•ARTICLE•Speculum•1989

  • The Old French Fabliaux . Charles Muscatine

    Evelyn Birge Vitz•ARTICLE•Speculum•1988

  • Inside/Outside

    Evelyn Birge Vitz•ARTICLE•Yale French Studies•1979

    Evelyn Birge Vitz, Inside/Outside: First-Person Narrative in Guillaume de Lorris' Roman de la Rose, Yale French Studies, No. 58, In Memory of Jacques Ehrmann: Inside Play Outside Game (1979), pp. 148-164

  • The Poetry of Jean de la Ceppède

    Open Access•Evelyn Birge Vitz•ARTICLE•Renaissance Quarterly•1979

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Narrative Analysis of Medieval Texts

    Evelyn Birge Vitz•ARTICLE•Modern Language Notes•1977

    Affirmation de la specificite du texte narratif medieval face a la theorie moderne de La Fille du comte de Ponthieu, dans les perspectives de Greimas et de Todorov. La difficulte a cerner le sujet sert d'entree en matiere: les sujets apparents ne forment qu'un sous-ensemble, cependant qu'au niveau symbolique, c'est la maison de Ponthieu qui s'impose comme centre et, a un autre niveau (theologique), le Sujet s'identifie a Dieu. Il ne s'agit pas ic…

  • A Concordance to the Roman de la Rose of Guillaume de Lorris

    Evelyn Birge Vitz, Joseph R Danos•ARTICLE•Modern Language Notes•1977

  • The Crossroad of Intentions

    Peter Haidu, Evelyn Birge Vitz•ARTICLE•Modern Language Notes•1976

  • Symbolic "Contamination" in the Testament of Francois Villon

    Evelyn Birge Vitz•ARTICLE•Modern Language Notes•1971

    S YMBOLIC CONTAMINATION IN THE TESTAMENT OF FRANCOIS VILLON B BY EVELYN BIRGE VITZ Wa As an initial approach avenue into Villon's Testament and accessorily his other works, I would like to propose a study of certain aspects of his use of symbolic expression: a study of certain words and groups of words which seem central to this problem. An attempt will be made to demonstrate that such an approach is, both in its farreaching and in its immediate …

No prominent works on this page.

  • Symbolic "Contamination" in the Testament of Francois Villon

    Evelyn Birge Vitz•ARTICLE•Modern Language Notes•1971

    S YMBOLIC CONTAMINATION IN THE TESTAMENT OF FRANCOIS VILLON B BY EVELYN BIRGE VITZ Wa As an initial approach avenue into Villon's Testament and accessorily his other works, I would like to propose a study of certain aspects of his use of symbolic expression: a study of certain words and groups of words which seem central to this problem. An attempt will be made to demonstrate that such an approach is, both in its farreaching and in its immediate …

  • The Crossroad of Intentions

    Peter Haidu, Evelyn Birge Vitz•ARTICLE•Modern Language Notes•1976

  • Narrative Analysis of Medieval Texts

    Evelyn Birge Vitz•ARTICLE•Modern Language Notes•1977

    Affirmation de la specificite du texte narratif medieval face a la theorie moderne de La Fille du comte de Ponthieu, dans les perspectives de Greimas et de Todorov. La difficulte a cerner le sujet sert d'entree en matiere: les sujets apparents ne forment qu'un sous-ensemble, cependant qu'au niveau symbolique, c'est la maison de Ponthieu qui s'impose comme centre et, a un autre niveau (theologique), le Sujet s'identifie a Dieu. Il ne s'agit pas ic…

  • A Concordance to the Roman de la Rose of Guillaume de Lorris

    Evelyn Birge Vitz, Joseph R Danos•ARTICLE•Modern Language Notes•1977

  • Inside/Outside

    Evelyn Birge Vitz•ARTICLE•Yale French Studies•1979

    Evelyn Birge Vitz, Inside/Outside: First-Person Narrative in Guillaume de Lorris' Roman de la Rose, Yale French Studies, No. 58, In Memory of Jacques Ehrmann: Inside Play Outside Game (1979), pp. 148-164

  • The Poetry of Jean de la Ceppède

    Open Access•Evelyn Birge Vitz•ARTICLE•Renaissance Quarterly•1979

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Old French Fabliaux . Charles Muscatine

    Evelyn Birge Vitz•ARTICLE•Speculum•1988

  • Résurgences

    Evelyn Birge Vitz•ARTICLE•Speculum•1989

  • Mutations Temporelles et Cheminement Spirituel

    Evelyn Birge Vitz•ARTICLE•Speculum•1990

  • Brothers of Dragons

    Evelyn Birge Vitz•ARTICLE•Speculum•1992

  • Pretentious, Preposterous, Pathetic

    Open Access•Paul C Vitz, Evelyn Birge Vitz•ARTICLE•Journal of Psychology and Theology•1993

    This response provides critique both of Mary Daly's work and of Henking's (1993) treatment of Daly's material. Critique of Daly's works focuses on the inappropriate use of psychological concepts and the rejecting and paranoid attitudes she displays toward religion, society, men, and women. Although Daly's works appear to be founded in psychology, she applies terms meant to describe intrapersonal psychological phenomena (e.g., projection, introjec…

  • Lecture du Testament Villon

    Evelyn Birge Vitz•ARTICLE•Speculum•1994

  • Villon's Last Will

    Evelyn Birge Vitz•ARTICLE•Speculum•1999

  • Marie-Madeleine dans la littérature du moyen âge . Elisabeth Pinto-Mathieu

    Evelyn Birge Vitz•ARTICLE•Speculum•2002

  • Performing Medieval Narrative

    Open Access•Brian J Levy, Evelyn Birge Vitz et al.•EDITOR•BOOK•Performing Medieval Narrative•2005

    Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance.

  • Cultural Performances in Medieval France

    Nancy Freeman Regalado, Eglal Doss-Quinby et al.•EDITOR•BOOK•Cultural Performances in Medieval…•2007

  • Tales with Guts

    Evelyn Birge Vitz•ARTICLE•TDR/The Drama Review•2008

    Scholars of medieval Europe tend to see aural performances of narrative works as just medieval “books on tape” with a disembodied reader. But the auditory element was often only a small part of the live performance. Narrative works in medieval Europe were performed, and storytellers engaged audiences' bodies and emotions as well as their minds. Richard Schechner's “Rasaesthetics” helps us recognize the strong emotional flavors and dynamism inhere…

  • A Common Stage

    Evelyn Birge Vitz•ARTICLE•Speculum•2009

Art (16 works) · Medieval Literature and History (11 works) · Philosophy (10 works) · History (9 works) · Literature (8 works) · Medieval European Literature and History (8 works) · Humanities (7 works) · Classics (6 works) · Classics (6 works) · French Literature and Poetry (6 works)

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