Evelyn Birge Vitz
Biographic Data
| ID | 5921619 |
|---|---|
| NAME | Evelyn Birge Vitz |
| GIVEN NAMES | Evelyn Birge |
| FAMILY NAME | Vitz |
| SIGNATURE | VITZ E B |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 16 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 1971 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 0 |
A Common Stage
Tales with Guts
Scholars of medieval Europe tend to see aural performances of narrative works as just medieval “books on tape” with a disembodied reader. But the auditory element was often only a small part of the live performance. Narrative works in medieval Europe were performed, and storytellers engaged audiences' bodies and emotions as well as their minds. Richard Schechner's “Rasaesthetics” helps us recognize the strong emotional flavors and dynamism inhere…
Cultural Performances in Medieval France
Performing Medieval Narrative
Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance.
Marie-Madeleine dans la littérature du moyen âge . Elisabeth Pinto-Mathieu
Villon's Last Will
Lecture du Testament Villon
Pretentious, Preposterous, Pathetic
This response provides critique both of Mary Daly's work and of Henking's (1993) treatment of Daly's material. Critique of Daly's works focuses on the inappropriate use of psychological concepts and the rejecting and paranoid attitudes she displays toward religion, society, men, and women. Although Daly's works appear to be founded in psychology, she applies terms meant to describe intrapersonal psychological phenomena (e.g., projection, introjec…
Brothers of Dragons
Mutations Temporelles et Cheminement Spirituel
Résurgences
The Old French Fabliaux . Charles Muscatine
Inside/Outside
Evelyn Birge Vitz, Inside/Outside: First-Person Narrative in Guillaume de Lorris' Roman de la Rose, Yale French Studies, No. 58, In Memory of Jacques Ehrmann: Inside Play Outside Game (1979), pp. 148-164
The Poetry of Jean de la Ceppède
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Narrative Analysis of Medieval Texts
Affirmation de la specificite du texte narratif medieval face a la theorie moderne de La Fille du comte de Ponthieu, dans les perspectives de Greimas et de Todorov. La difficulte a cerner le sujet sert d'entree en matiere: les sujets apparents ne forment qu'un sous-ensemble, cependant qu'au niveau symbolique, c'est la maison de Ponthieu qui s'impose comme centre et, a un autre niveau (theologique), le Sujet s'identifie a Dieu. Il ne s'agit pas ic…
A Concordance to the Roman de la Rose of Guillaume de Lorris
The Crossroad of Intentions
Symbolic "Contamination" in the Testament of Francois Villon
S YMBOLIC CONTAMINATION IN THE TESTAMENT OF FRANCOIS VILLON B BY EVELYN BIRGE VITZ Wa As an initial approach avenue into Villon's Testament and accessorily his other works, I would like to propose a study of certain aspects of his use of symbolic expression: a study of certain words and groups of words which seem central to this problem. An attempt will be made to demonstrate that such an approach is, both in its farreaching and in its immediate …
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Symbolic "Contamination" in the Testament of Francois Villon
S YMBOLIC CONTAMINATION IN THE TESTAMENT OF FRANCOIS VILLON B BY EVELYN BIRGE VITZ Wa As an initial approach avenue into Villon's Testament and accessorily his other works, I would like to propose a study of certain aspects of his use of symbolic expression: a study of certain words and groups of words which seem central to this problem. An attempt will be made to demonstrate that such an approach is, both in its farreaching and in its immediate …
The Crossroad of Intentions
Narrative Analysis of Medieval Texts
Affirmation de la specificite du texte narratif medieval face a la theorie moderne de La Fille du comte de Ponthieu, dans les perspectives de Greimas et de Todorov. La difficulte a cerner le sujet sert d'entree en matiere: les sujets apparents ne forment qu'un sous-ensemble, cependant qu'au niveau symbolique, c'est la maison de Ponthieu qui s'impose comme centre et, a un autre niveau (theologique), le Sujet s'identifie a Dieu. Il ne s'agit pas ic…
A Concordance to the Roman de la Rose of Guillaume de Lorris
Inside/Outside
Evelyn Birge Vitz, Inside/Outside: First-Person Narrative in Guillaume de Lorris' Roman de la Rose, Yale French Studies, No. 58, In Memory of Jacques Ehrmann: Inside Play Outside Game (1979), pp. 148-164
The Poetry of Jean de la Ceppède
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Old French Fabliaux . Charles Muscatine
Résurgences
Mutations Temporelles et Cheminement Spirituel
Brothers of Dragons
Pretentious, Preposterous, Pathetic
This response provides critique both of Mary Daly's work and of Henking's (1993) treatment of Daly's material. Critique of Daly's works focuses on the inappropriate use of psychological concepts and the rejecting and paranoid attitudes she displays toward religion, society, men, and women. Although Daly's works appear to be founded in psychology, she applies terms meant to describe intrapersonal psychological phenomena (e.g., projection, introjec…
Lecture du Testament Villon
Villon's Last Will
Marie-Madeleine dans la littérature du moyen âge . Elisabeth Pinto-Mathieu
Performing Medieval Narrative
Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance.
Cultural Performances in Medieval France
Tales with Guts
Scholars of medieval Europe tend to see aural performances of narrative works as just medieval “books on tape” with a disembodied reader. But the auditory element was often only a small part of the live performance. Narrative works in medieval Europe were performed, and storytellers engaged audiences' bodies and emotions as well as their minds. Richard Schechner's “Rasaesthetics” helps us recognize the strong emotional flavors and dynamism inhere…
A Common Stage
Art (16 works) · Medieval Literature and History (11 works) · Philosophy (10 works) · History (9 works) · Literature (8 works) · Medieval European Literature and History (8 works) · Humanities (7 works) · Classics (6 works) · Classics (6 works) · French Literature and Poetry (6 works)