Antonio Chemotti
Biographic Data
| ID | 5921809 |
|---|---|
| NAME | Antonio Chemotti |
| GIVEN NAMES | Antonio |
| FAMILY NAME | Chemotti |
| SIGNATURE | CHEMOTTI A |
| AFFILIATIONS | Alamire Foundation |
| ORCID | 0000-0002-8279-7265 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
A Sweet but Grave and Sad Melody”
This article investigates the relation between music and emotions at exequies in Italy between ca. 1560 and ca. 1660. Mapping the lexicon used to describe music in funeral books, I highlight the coexistence of two diverging semantic domains, sadness and sweetness. Their juxtaposition corresponds to an aesthetic principle that informed the conceptualization of the entire ritual's artistic setup—as divided between the mournful and the pleasurable. …
Folk Songs and Material Culture in Medieval Central Europe
Deep Mourning in Cinquecento Venice
This article investigates three voci pari settings by Gioseffo Zarlino, the lectiones pro mortuis that appeared in the Motetta D. Cipriani de Rore et aliorum auctorum (Venice: Girolamo Scotto, 1563). Although this collection contains motets, we argue that Zarlino's lectiones were intended as liturgical items for an Office for the Dead, celebrated as part of exequial rites. As such, they represent the first printed liturgical settings for the Offi…
Sonja Tröster
No prominent works on this page.
Deep Mourning in Cinquecento Venice
This article investigates three voci pari settings by Gioseffo Zarlino, the lectiones pro mortuis that appeared in the Motetta D. Cipriani de Rore et aliorum auctorum (Venice: Girolamo Scotto, 1563). Although this collection contains motets, we argue that Zarlino's lectiones were intended as liturgical items for an Office for the Dead, celebrated as part of exequial rites. As such, they represent the first printed liturgical settings for the Offi…
Sonja Tröster
Folk Songs and Material Culture in Medieval Central Europe
A Sweet but Grave and Sad Melody”
This article investigates the relation between music and emotions at exequies in Italy between ca. 1560 and ca. 1660. Mapping the lexicon used to describe music in funeral books, I highlight the coexistence of two diverging semantic domains, sadness and sweetness. Their juxtaposition corresponds to an aesthetic principle that informed the conceptualization of the entire ritual's artistic setup—as divided between the mournful and the pleasurable. …
Art (3 works) · Diverse Musicological Studies (3 works) · Computer Science (2 works) · History (2 works) · Literature (2 works) · Art history (1 works) · Classics (1 works) · Folklore, Mythology, and Literature Studies (1 works) · German History and Society (1 works) · German Literature and Culture Studies (1 works)