Hannah Joy Friedman
Biographic Data
| ID | 5921829 |
|---|---|
| NAME | Hannah Joy Friedman |
| GIVEN NAMES | Hannah Joy |
| FAMILY NAME | Friedman |
| SIGNATURE | FRIEDMAN H J |
| AFFILIATIONS | University of Zurich |
| ORCID | 0000-0002-5817-6442 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The Invisible Sainthood of Mariana de Jesús Paredes y Flores
What did it mean for portrait images to generate recognition of early modern individuals as saints? Did images make sainthood visible through a person’s particularities or their conformity to perfect models? To be recognisable as an historical individual was not necessarily compatible with being recognised as a saint, either officially by Rome, or experientially by devotees. Early images of Quito’s most prominent candidate for sainthood, Mariana …
Jusepe de Ribera's Five Senses and the Practice of Prudence
Painted in Rome around 1615, Jusepe de Ribera's series of half figures personifying the five senses invites a diplomatic audience associated with the Lincean Academy to a performance of prudence, a virtue meant to characterize the judgment of both art and of sensory experience. Ribera's series is new evidence for how the demonstration of prudence in conversation motivated ownership and display of art and shaped art's contribution to natural philo…
No prominent works on this page.
Jusepe de Ribera's Five Senses and the Practice of Prudence
Painted in Rome around 1615, Jusepe de Ribera's series of half figures personifying the five senses invites a diplomatic audience associated with the Lincean Academy to a performance of prudence, a virtue meant to characterize the judgment of both art and of sensory experience. Ribera's series is new evidence for how the demonstration of prudence in conversation motivated ownership and display of art and shaped art's contribution to natural philo…
The Invisible Sainthood of Mariana de Jesús Paredes y Flores
What did it mean for portrait images to generate recognition of early modern individuals as saints? Did images make sainthood visible through a person’s particularities or their conformity to perfect models? To be recognisable as an historical individual was not necessarily compatible with being recognised as a saint, either officially by Rome, or experientially by devotees. Early images of Quito’s most prominent candidate for sainthood, Mariana …
Art (2 works) · Aesthetics (1 work) · Art history (1 work) · Conversation (1 work) · Early Modern Women Writers (1 work) · Epistemology (1 work) · Historical, Religious, and Philosophical Studies (1 work) · History (1 work) · History (1 work) · History of Medicine Studies (1 work)