Andrea M Gáldy

Biographic Data

ID5921844
NAMEAndrea M Gáldy
GIVEN NAMESAndrea M
FAMILY NAMEGáldy
SIGNATUREGÁLDY A M
AFFILIATIONSUniversity of Music and Performing Arts Graz
ORCID0000-0002-4109-9436
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2025
H-INDEX0

  • Andrea Fulvio’s “Illustrium Imagines” and the Beginnings of Classical Archaeology

    Open AccessAndrea M GáldyARTICLERenaissance Quarterly2025

    Andrea Fulvio’s “Illustrium Imagines” and the Beginnings of Classical Archaeology. Brian Madigan. Brill’s Studies on Art, Art History, and Intellectual History 64. Leiden: Brill, 2022. xvii + 218 pp. $129. - Volume 78 Issue 1

  • The Art, History and Architecture of Florentine Churches

    Andrea M Gáldy, Elizabeth PilliodARTICLERenaissance and Reformation2018

  • Collecting East and West

    Susan Bracken, Andrea M Gáldy et al.BOOKCollecting East and West2013

    If collecting the rare and valuable is an entirely normal trait of human behaviour, amassing objects from far-away places has also long played a role in the history of collecting. and or North and South, for that matter, are of course entirely relative to one's particular geographical position. Therefore, it is interesting that collecting exotic objects is an endeavour that unites humanity over millennia and round the globe. The ancient Assyrians…

  • Metalli islamici

    Open AccessAndrea M GáldyARTICLERenaissance Quarterly2011

    Marco Spallanzani. Metalli islamici: A Firenze nel Rinascimento. The Bruschettini Foundation for Islamic and Asian Art. Florence: S.P.E.S. Studio Per Edizione Scelte, 2010. 204 pp. index. append. illus. tbls. bibl. €80. ISBN: 978–88–72423363. - Volume 64 Issue 2

  • Forgery, Replica, Fiction

    Open AccessAndrea M GáldyARTICLERenaissance Studies2009

  • Arnolfo di Cambio. Una rinascita nell’Umbria medievale and Arnolfo alle origini del rinascimento fiorentino

    Open AccessAndrea M GáldyARTICLERenaissance Studies2007

  • Tuscan concerns and Spanish heritage in the decoration of Duchess Eleonora's apartment in the Palazzo Vecchio 1

    Open AccessAndrea M GáldyARTICLERenaissance Studies2006

    After Eleonora di Toledo's marriage to Cosimo de’ Medici in 1539 the ducal couple moved to the former Palazzo della Signoria. There a new court had to be created, appropriate models for which were found in Spain and Spanish Naples. Court artists decorated ducal apartments in the palazzo's old wing; in particular Eleonora's rooms received much attention. Their decorative programme of famous women is still in situ on the second floor of the Palazzo…

  • Spectacular Antiquities

    Andrea M GáldyARTICLERenaissance and Reformation2005

    Cet article examine certains moments importants de l'histoire de la décoration de la résidence ducale de Florence, le Palazzo Vecchio, et de la collection d'antiquités de Cosme 1er de Médicis. Les modes de développement de cette collection s'avèrent cohérents, d'une part, avec les traditions familiales des Médicis, et d'autre part, avec le développement de l'archéologie au XVIe siècle. En continuité avec ces observations, cet article montre aussi…

  • The Scrittoio della Calliope in the Palazzo Vecchio

    Open AccessAndrea M GáldyARTICLERenaissance Studies2005

    On 13 June 1559 a group of objects – ancient, modern, exotic – were taken to the newly created Scrittoio della Calliope of Cosimo I de’ Medici. The scrittoio was part of the new wing of the Palazzo Ducale in Florence, added by Giambattista Tasso and Giorgio Vasari and decorated with an elaborate programme of invenzioni . Some of the pieces in this room had been found with the Chimera in Arezzo in 1553 and were considered Etruscan because of their…