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Pavel Khazanov

Biographic Data

ID5932463
NAMEPavel Khazanov
GIVEN NAMESPavel
FAMILY NAMEKhazanov
SIGNATUREKHAZANOV P
AFFILIATIONSAssistant Professor of Russian in the Department of German, Russian, and Eastern European Languages and Literatures at Rutgers University.
ORCID0000-0002-7758-3203
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2023
H-INDEX1
  • A Petrovich Inside of Every New Russian: The Disciplinary Regime of the Capitalist “Vanguard Group” at 1990s Kommersant

    Open Access•Pavel Khazanov•ARTICLE•The Russian Review•2023•Cited by: 1•References: 1

    Since 1989, Russia’s “first business newspaper,” Kommersant , worked to cultivate a new kind of collective post‐socialist subject, a “vanguard group” of “New Russians.” How did Kommersant imagine this subject? Who were its antagonists and why, and how would the New Russian triumph over them? This article examines the 1992–93 issues of Kommersant Daily , its glossy monthly supplement Domovoi , and Kommersant ’s recurring cartoon character of the p…

  • The Most Important Thing Is to Remain a Human Being: Decembrist Protest, Soviet Lichnost', and the Post-1968 Mass-Market Histories of Natan Eidelman and Bulat Okudzhava

    Pavel Khazanov•ARTICLE•The Slavic and East European…•2021

  • What Is Our Life? A Game!”: What? Where? When? and the Capitalist Gamble of the Soviet Intelligentsia

    Open Access•Pavel Khazanov•ARTICLE•The Russian Review•2020

    Around the time of the fall of the USSR, Vladimir Voroshilov’s popular seasonal high‐brow television quiz show underwent a lavish aristocratic makeover, involving a Catherinian gazebo, black tie attire, large stacks of cash, and prominent references to Alexander Pushkin’s “Queen of Spades” in the prologue to every game episode. This article analyzes the cultural logic through which the arrival of capitalism was rendered on What? Where? When ? a p…

  • Honest Jacobins: High Stalinism and the Socialist Subjectivity of Mikhail Lifshitz and Andrei Platonov

    Open Access•Pavel Khazanov•ARTICLE•The Russian Review•2018•References: 3

    This article aims to develop a better understanding of Andrei Platonov’s mature view of Soviet socialism by considering his unfinished novel, Happy Moscow (1931–36), in the context of Mikhail Lifshits’ and Georg Lukács’ philosophical movement of the 1930s, known as the Current. In light of the Current’s conceptualization of Stalinism as a peculiar form of Thermidor that did not spell an unequivocal end to the Russian Revolution, I argue that Plat…

  • A Petrovich Inside of Every New Russian: The Disciplinary Regime of the Capitalist “Vanguard Group” at 1990s Kommersant

    Open Access•Pavel Khazanov•ARTICLE•The Russian Review•2023•Cited by: 1•References: 1

    Since 1989, Russia’s “first business newspaper,” Kommersant , worked to cultivate a new kind of collective post‐socialist subject, a “vanguard group” of “New Russians.” How did Kommersant imagine this subject? Who were its antagonists and why, and how would the New Russian triumph over them? This article examines the 1992–93 issues of Kommersant Daily , its glossy monthly supplement Domovoi , and Kommersant ’s recurring cartoon character of the p…

  • Honest Jacobins: High Stalinism and the Socialist Subjectivity of Mikhail Lifshitz and Andrei Platonov

    Open Access•Pavel Khazanov•ARTICLE•The Russian Review•2018•References: 3

    This article aims to develop a better understanding of Andrei Platonov’s mature view of Soviet socialism by considering his unfinished novel, Happy Moscow (1931–36), in the context of Mikhail Lifshits’ and Georg Lukács’ philosophical movement of the 1930s, known as the Current. In light of the Current’s conceptualization of Stalinism as a peculiar form of Thermidor that did not spell an unequivocal end to the Russian Revolution, I argue that Plat…

  • What Is Our Life? A Game!”: What? Where? When? and the Capitalist Gamble of the Soviet Intelligentsia

    Open Access•Pavel Khazanov•ARTICLE•The Russian Review•2020

    Around the time of the fall of the USSR, Vladimir Voroshilov’s popular seasonal high‐brow television quiz show underwent a lavish aristocratic makeover, involving a Catherinian gazebo, black tie attire, large stacks of cash, and prominent references to Alexander Pushkin’s “Queen of Spades” in the prologue to every game episode. This article analyzes the cultural logic through which the arrival of capitalism was rendered on What? Where? When ? a p…

  • The Most Important Thing Is to Remain a Human Being: Decembrist Protest, Soviet Lichnost', and the Post-1968 Mass-Market Histories of Natan Eidelman and Bulat Okudzhava

    Pavel Khazanov•ARTICLE•The Slavic and East European…•2021

  • A Petrovich Inside of Every New Russian: The Disciplinary Regime of the Capitalist “Vanguard Group” at 1990s Kommersant

    Open Access•Pavel Khazanov•ARTICLE•The Russian Review•2023•Cited by: 1•References: 1

    Since 1989, Russia’s “first business newspaper,” Kommersant , worked to cultivate a new kind of collective post‐socialist subject, a “vanguard group” of “New Russians.” How did Kommersant imagine this subject? Who were its antagonists and why, and how would the New Russian triumph over them? This article examines the 1992–93 issues of Kommersant Daily , its glossy monthly supplement Domovoi , and Kommersant ’s recurring cartoon character of the p…

Eastern European Communism and Reforms (4 works) · Art (3 works) · History (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Communism (2 works) · Epistemology (2 works) · Literature (2 works)

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