Michael Brashinsky
Biographic Data
| ID | 5932571 |
|---|---|
| NAME | Michael Brashinsky |
| GIVEN NAMES | Michael |
| FAMILY NAME | Brashinsky |
| SIGNATURE | BRASHINSKY M |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Zero Hour
Russian Critics on the Cinema of Glasnost
Russian Critics on the Cinema of Glasnost gathers together twenty-three essays written by some of Russia's most astute commentators of film and culture. Written during the 1980s and published in English for the first time, this collection includes reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments not only illuminate important aspects of Russian filmmaking during this decade: as important…
The Zero Hour
The Zero Hour
Now faced with the zero hour created by a freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid chang…
The Zero Hour
Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid…
The Zero Hour
Now faced with the zero hour created by a freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid chang…
The Zero Hour
Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid…
The Zero Hour
Now faced with the zero hour created by a freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid chang…
Russian Critics on the Cinema of Glasnost
Russian Critics on the Cinema of Glasnost gathers together twenty-three essays written by some of Russia's most astute commentators of film and culture. Written during the 1980s and published in English for the first time, this collection includes reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments not only illuminate important aspects of Russian filmmaking during this decade: as important…
The Zero Hour
Zero Hour
Eastern European Communism and Reforms (4 works) · Soviet and Russian History (4 works) · Art (3 works) · European history and politics (3 works) · Linguistics (3 works) · Literature (3 works) · Movie theater (3 works) · Philosophy (3 works) · Political science (3 works) · 24.32 history of film art (2 works)