Anuja Jain
Biographic Data
| ID | 5935670 |
|---|---|
| NAME | Anuja Jain |
| GIVEN NAMES | Anuja |
| FAMILY NAME | Jain |
| SIGNATURE | JAIN A |
| AFFILIATIONS | University of St Andrews |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Roundtable
Anuja JainWhat kind of affective, ephemeral, and material histories of South Asian film are made possible if we turn our gaze outside the screen to what Vivian Sobchak describes as ‘the productive
The poetics of Indian cinema
This dossier is concerned with the ‘poetics’ of Indian cinema, in relation both to a single work and to the use of certain devices and stylistic features across a range of works. It uses the term in the sense elaborated by David Bordwell when he suggests a distinction between ‘method’ and ‘poetics’. Rather than drawing on a distinct critical school and its own doctrinal procedures for interpreting textual features, Bordwell notes that the poetics…
Love Sex Aur Dhoka
Peer reviewed
Beaming it live’
Recently, following the November 2008 terrorist attacks in Bombay, the electronic media itself became the story. While many commended the extensive 60 hour coverage of the attacks, a debate soon began around the relentless live coverage, and its effect on the security operations and the government actions. Most importantly there emerged larger questions about the changing ethics and aesthetics of the electronic media in India. My essay proposes t…
Beaming it live’
Recently, following the November 2008 terrorist attacks in Bombay, the electronic media itself became the story. While many commended the extensive 60 hour coverage of the attacks, a debate soon began around the relentless live coverage, and its effect on the security operations and the government actions. Most importantly there emerged larger questions about the changing ethics and aesthetics of the electronic media in India. My essay proposes t…
Love Sex Aur Dhoka
Peer reviewed
Beaming it live’
Recently, following the November 2008 terrorist attacks in Bombay, the electronic media itself became the story. While many commended the extensive 60 hour coverage of the attacks, a debate soon began around the relentless live coverage, and its effect on the security operations and the government actions. Most importantly there emerged larger questions about the changing ethics and aesthetics of the electronic media in India. My essay proposes t…
The poetics of Indian cinema
This dossier is concerned with the ‘poetics’ of Indian cinema, in relation both to a single work and to the use of certain devices and stylistic features across a range of works. It uses the term in the sense elaborated by David Bordwell when he suggests a distinction between ‘method’ and ‘poetics’. Rather than drawing on a distinct critical school and its own doctrinal procedures for interpreting textual features, Bordwell notes that the poetics…
Love Sex Aur Dhoka
Peer reviewed
Roundtable
Anuja JainWhat kind of affective, ephemeral, and material histories of South Asian film are made possible if we turn our gaze outside the screen to what Vivian Sobchak describes as ‘the productive
Cinema and Media Studies (3 works) · Movie theater (3 works) · South Asian Cinema and Culture (3 works) · Art (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Art history (1 work) · Biology (1 work) · Dance (1 work) · Electronic media (1 work)