E Cowie
Biographic Data
| ID | 5935712 |
|---|---|
| NAME | E Cowie |
| GIVEN NAMES | E |
| FAMILY NAME | Cowie |
| SIGNATURE | COWIE E |
| ORCID | 0000-0002-2208-0713 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
On documentary sounds and images in the gallery
Cinema and broadcast television are no longer preeminent as modes of exhibition and consumption of moving-image and time-based works, while the gallery has long ceased to be the preserve of the still and silent image. Instead, other new forms have emerged along with the digital, such as YouTube and podcasts, while the mobile phone with its still and video camera creates audiovisual connectivity and interaction anytime and anywhere. Time-based wor…
Film Culture
Film Culture: ‘New Hollywood Cinema’ Get access Elizabeth Cowie, Elizabeth Cowie Search for other works by this author on: Oxford Academic Google Scholar Steve Neale Steve Neale Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 17, Issue 2, Summer 1976, Pages 117–122, https://doi.org/10.1093/screen/17.2.117 Published: 01 July 1976
Film Culture
Film Culture Get access Edward Buscombe, Edward Buscombe Search for other works by this author on: Oxford Academic Google Scholar Mark Nash, Mark Nash Search for other works by this author on: Oxford Academic Google Scholar George Lellis, George Lellis Search for other works by this author on: Oxford Academic Google Scholar Colin McArthur Colin McArthur Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 16, Is…
Film Culture
Film Culture: ‘New Hollywood Cinema’ Get access Elizabeth Cowie, Elizabeth Cowie Search for other works by this author on: Oxford Academic Google Scholar Steve Neale Steve Neale Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 17, Issue 2, Summer 1976, Pages 117–122, https://doi.org/10.1093/screen/17.2.117 Published: 01 July 1976
Film Culture
Film Culture Get access Edward Buscombe, Edward Buscombe Search for other works by this author on: Oxford Academic Google Scholar Mark Nash, Mark Nash Search for other works by this author on: Oxford Academic Google Scholar George Lellis, George Lellis Search for other works by this author on: Oxford Academic Google Scholar Colin McArthur Colin McArthur Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 16, Is…
Film Culture
Film Culture: ‘New Hollywood Cinema’ Get access Elizabeth Cowie, Elizabeth Cowie Search for other works by this author on: Oxford Academic Google Scholar Steve Neale Steve Neale Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 17, Issue 2, Summer 1976, Pages 117–122, https://doi.org/10.1093/screen/17.2.117 Published: 01 July 1976
On documentary sounds and images in the gallery
Cinema and broadcast television are no longer preeminent as modes of exhibition and consumption of moving-image and time-based works, while the gallery has long ceased to be the preserve of the still and silent image. Instead, other new forms have emerged along with the digital, such as YouTube and podcasts, while the mobile phone with its still and video camera creates audiovisual connectivity and interaction anytime and anywhere. Time-based wor…
Art (3 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Performance art (3 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Media studies (2 works) · Movie theater (2 works) · Sociology (2 works)