Ilka Brasch
Biographic Data
| ID | 5935828 |
|---|---|
| NAME | Ilka Brasch |
| GIVEN NAMES | Ilka |
| FAMILY NAME | Brasch |
| SIGNATURE | BRASCH I |
| AFFILIATIONS | Leibniz Universität Hannover Hannover Germany |
| ORCID | 0000-0001-8126-9164 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Introducing the Series “Too Great for Words
Toni Morrison knew the value of the unspoken. “One has to work very carefully with what is in between the words, what is not said,” she told Caroline C. Denard, “which is measure, which is rhythm,...it is what you don’t write that frequently gives what you write its power.”1 What is in between the words is a soundscape of its own; it is not easily analyzed, but it is intelligible and carries significant meaning. The articles in this special serie…
Archives and Research
The main premise of this article is that research conducted on site in archival reading rooms is influenced by the architecture of an archive and the interior design of its reading room. A subjective account of the study of the publication, editorial, and material histories of early-American literature at the American Philosophical Society and the Library Company in Philadelphia illustrates how the engagement with books in an archive is marked by…
Modernity management
This essay approaches the US cinema of the 1920s from the vantage point of the film serial, exploring the contexts of production, exhibition, distribution and reception that are specific to this format during the decade. As a consequence, it foregrounds how the film serial differs markedly in style and language from the contemporaneous feature films. Both film serials and feature films take up the decade’s discourses of efficiency, seriality and …
No prominent works on this page.
Modernity management
This essay approaches the US cinema of the 1920s from the vantage point of the film serial, exploring the contexts of production, exhibition, distribution and reception that are specific to this format during the decade. As a consequence, it foregrounds how the film serial differs markedly in style and language from the contemporaneous feature films. Both film serials and feature films take up the decade’s discourses of efficiency, seriality and …
Archives and Research
The main premise of this article is that research conducted on site in archival reading rooms is influenced by the architecture of an archive and the interior design of its reading room. A subjective account of the study of the publication, editorial, and material histories of early-American literature at the American Philosophical Society and the Library Company in Philadelphia illustrates how the engagement with books in an archive is marked by…
Introducing the Series “Too Great for Words
Toni Morrison knew the value of the unspoken. “One has to work very carefully with what is in between the words, what is not said,” she told Caroline C. Denard, “which is measure, which is rhythm,...it is what you don’t write that frequently gives what you write its power.”1 What is in between the words is a soundscape of its own; it is not easily analyzed, but it is intelligible and carries significant meaning. The articles in this special serie…
Art (2 works) · Literature (2 works) · Literature: history, themes, analysis (2 works) · Philosophy (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 work) · American History and Culture (1 work) · Architecture (1 work) · Cinema and Media Studies (1 work)