Robert Lapsley
Datos Biográficos
| ID | 5935841 |
|---|---|
| NOMBRE | Robert Lapsley |
| NOMBRES | Robert |
| APELLIDO | Lapsley |
| FIRMA | LAPSLEY R |
| AFILIACIONES | University of Washington |
| VERIFICADO | No |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAS | 5 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1992 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 1 |
“They have given you the morale and confidence
Community-based delivery of oral HIV self-testing (HIVST) may expand access to testing among adolescents and young adults (AYA). Eliciting youth perspectives can help to optimize these services. We conducted nine focus group discussions (FGDs) with HIV negative AYA aged 15-24 who had completed oral HIVST following community-based distribution through homes, pharmacies, and bars. FGDs were stratified by distribution point and age (15-17, 18-24). P…
Allan James Thomas (2018) Deleuze, Cinema and the Thought of the World
The Offices Of Comedy
THE OFFICES OF COMEDY Alenka Zupancic, The Odd One In: On Comedy, Cambridge, Mass., MIT Press, 2008, 230pp; £14.95 paperback Slavoj Zizek is effusive in his praise of this book and it is easy to see why. The Odd One In is a brilliant contribution to the theorising of comedy. Introducing her earlier book, Ethics of the Real, Zizek admitted that he was 'agape with envy and fury, feeling threatened in the very core of my philosopher's existence, awe…
Cinema, the impossible, and a psychoanalysis to come
Briefly, during that glorious period in the 1970s when Screen established itself as the most exciting periodical in the arts and humanities, psychoanalysis was the journal's dominant discourse. This status stemmed from the recognition that art in general, and cinema in particular, is always an event in which the happening of the work reconstitutes both work and audience. Although initially, and notoriously, suggesting that texts constituted subje…
From Casablanca to Pretty Woman
Journal Article From Casablanca to Pretty Woman: the politics of romance Get access Robert Lapsley, Robert Lapsley Search for other works by this author on: Oxford Academic Google Scholar Michael Westlake Michael Westlake Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 33, Issue 1, Spring 1992, Pages 27–49, https://doi.org/10.1093/screen/33.1.27 Published: 01 March 1992
From Casablanca to Pretty Woman
Journal Article From Casablanca to Pretty Woman: the politics of romance Get access Robert Lapsley, Robert Lapsley Search for other works by this author on: Oxford Academic Google Scholar Michael Westlake Michael Westlake Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 33, Issue 1, Spring 1992, Pages 27–49, https://doi.org/10.1093/screen/33.1.27 Published: 01 March 1992
Cinema, the impossible, and a psychoanalysis to come
Briefly, during that glorious period in the 1970s when Screen established itself as the most exciting periodical in the arts and humanities, psychoanalysis was the journal's dominant discourse. This status stemmed from the recognition that art in general, and cinema in particular, is always an event in which the happening of the work reconstitutes both work and audience. Although initially, and notoriously, suggesting that texts constituted subje…
From Casablanca to Pretty Woman
Journal Article From Casablanca to Pretty Woman: the politics of romance Get access Robert Lapsley, Robert Lapsley Search for other works by this author on: Oxford Academic Google Scholar Michael Westlake Michael Westlake Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 33, Issue 1, Spring 1992, Pages 27–49, https://doi.org/10.1093/screen/33.1.27 Published: 01 March 1992
Cinema, the impossible, and a psychoanalysis to come
Briefly, during that glorious period in the 1970s when Screen established itself as the most exciting periodical in the arts and humanities, psychoanalysis was the journal's dominant discourse. This status stemmed from the recognition that art in general, and cinema in particular, is always an event in which the happening of the work reconstitutes both work and audience. Although initially, and notoriously, suggesting that texts constituted subje…
The Offices Of Comedy
THE OFFICES OF COMEDY Alenka Zupancic, The Odd One In: On Comedy, Cambridge, Mass., MIT Press, 2008, 230pp; £14.95 paperback Slavoj Zizek is effusive in his praise of this book and it is easy to see why. The Odd One In is a brilliant contribution to the theorising of comedy. Introducing her earlier book, Ethics of the Real, Zizek admitted that he was 'agape with envy and fury, feeling threatened in the very core of my philosopher's existence, awe…
Allan James Thomas (2018) Deleuze, Cinema and the Thought of the World
“They have given you the morale and confidence
Community-based delivery of oral HIV self-testing (HIVST) may expand access to testing among adolescents and young adults (AYA). Eliciting youth perspectives can help to optimize these services. We conducted nine focus group discussions (FGDs) with HIV negative AYA aged 15-24 who had completed oral HIVST following community-based distribution through homes, pharmacies, and bars. FGDs were stratified by distribution point and age (15-17, 18-24). P…
Art (4 obras) · Art history (3 obras) · Cinema and Media Studies (3 obras) · Literature (3 obras) · Movie theater (2 obras) · Philosophy (2 obras) · Political science (2 obras) · Psychology (2 obras) · Aesthetics (1 obras) · Affordance (1 obras)