Huw D Jones
Biographic Data
| ID | 5935932 |
|---|---|
| NAME | Huw D Jones |
| GIVEN NAMES | Huw D |
| FAMILY NAME | Jones |
| SIGNATURE | JONES H D |
| AFFILIATIONS | University of Glasgow |
| ORCID | 0000-0002-6446-9575 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Transnational European Cinema: Representation, Audiences, Identity
Michael Winterbottom, Dark Matter: Independent Filmmaking in the 21st Century
A review of Michael Winterbottom's Dark Matter: Independent Filmmaking in the 21st Century (London: Bloomsbury/BFI, 2021)
The cultural and economic implications of UK/European co-production
As research on transnational cinema makes clear, films do not easily coincide with national borders, but ‘link people or institutions across nations’. While Britain’s strongest transnational links are with the US, it has also developed production partnerships with its European neighbours. Each year, British film companies lead-produce about 15 co-productions with other Europeans. But why do British filmmakers work wiTheuropean partners, and what …
Redefining Art and Culture: The Welsh Arts Council’s ‘Art and Society’ Exhibition Series 1969–76
Between 1969 and 1976, the Welsh Arts Council (WAC) organized a groundbreaking exhibition series called ‘Art and Society’, which explored how particular themes – war, work, worship and sex – had been interpreted across different media. Combining ‘high’ art with ‘popular’ culture, this series attracted international attention for challenging cultural hierarchies and advancing a broader, sociological definition of ‘art’. Yet it also attracted contr…
An Art of Our Own’: State Patronage of the Visual Arts in Wales, 1945–1967
The formation of the Arts Council of Great Britain (ACGB) in 1945 marked the introduction of official state patronage for the arts in Britain. But while research has focused on ACGB's contribution to English cultural life, little has been written about its influence throughout the rest of Great Britain. This paper addresses this gap by examining ACGB's Welsh Committee's contribution to the visual arts in post-war Wales. It argues the Welsh Commit…
Arts Governance in Scotland: The Saga of Scottish Opera, 1962–2007
The Scottish dimension of British arts government: A historical perspective
Whereas most histories of British arts patronage have viewed the tensions between core and periphery in terms of the relationship between the Arts Council of Great Britain (ACGB) and the English regions, this article examines the relationship between London and Scotland, a country with its own distinctive history of regional arts development. It considers how the autonomy of the Scottish Arts Council (SAC) was tested in conflicts involving both A…
The Scottish dimension of British arts government: A historical perspective
Whereas most histories of British arts patronage have viewed the tensions between core and periphery in terms of the relationship between the Arts Council of Great Britain (ACGB) and the English regions, this article examines the relationship between London and Scotland, a country with its own distinctive history of regional arts development. It considers how the autonomy of the Scottish Arts Council (SAC) was tested in conflicts involving both A…
The Scottish dimension of British arts government: A historical perspective
Whereas most histories of British arts patronage have viewed the tensions between core and periphery in terms of the relationship between the Arts Council of Great Britain (ACGB) and the English regions, this article examines the relationship between London and Scotland, a country with its own distinctive history of regional arts development. It considers how the autonomy of the Scottish Arts Council (SAC) was tested in conflicts involving both A…
Arts Governance in Scotland: The Saga of Scottish Opera, 1962–2007
An Art of Our Own’: State Patronage of the Visual Arts in Wales, 1945–1967
The formation of the Arts Council of Great Britain (ACGB) in 1945 marked the introduction of official state patronage for the arts in Britain. But while research has focused on ACGB's contribution to English cultural life, little has been written about its influence throughout the rest of Great Britain. This paper addresses this gap by examining ACGB's Welsh Committee's contribution to the visual arts in post-war Wales. It argues the Welsh Commit…
Redefining Art and Culture: The Welsh Arts Council’s ‘Art and Society’ Exhibition Series 1969–76
Between 1969 and 1976, the Welsh Arts Council (WAC) organized a groundbreaking exhibition series called ‘Art and Society’, which explored how particular themes – war, work, worship and sex – had been interpreted across different media. Combining ‘high’ art with ‘popular’ culture, this series attracted international attention for challenging cultural hierarchies and advancing a broader, sociological definition of ‘art’. Yet it also attracted contr…
The cultural and economic implications of UK/European co-production
As research on transnational cinema makes clear, films do not easily coincide with national borders, but ‘link people or institutions across nations’. While Britain’s strongest transnational links are with the US, it has also developed production partnerships with its European neighbours. Each year, British film companies lead-produce about 15 co-productions with other Europeans. But why do British filmmakers work wiTheuropean partners, and what …
Michael Winterbottom, Dark Matter: Independent Filmmaking in the 21st Century
A review of Michael Winterbottom's Dark Matter: Independent Filmmaking in the 21st Century (London: Bloomsbury/BFI, 2021)
Transnational European Cinema: Representation, Audiences, Identity
Art (6 works) · Political science (6 works) · Art history (4 works) · Law (4 works) · Scottish History and National Identity (4 works) · Sociology (4 works) · The arts (4 works) · Visual arts (4 works) · Cultural Industries and Urban Development (3 works) · Economics (3 works)