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Miriam De Rosa

Biographic Data

ID5936040
NAMEMiriam De Rosa
GIVEN NAMESMiriam
FAMILY NAMEDe Rosa
SIGNATUREDE ROSA M
AFFILIATIONSUniversità Cattolica del Sacro Cuore
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Substantiating Memories

    Open Access•Miriam De Rosa, Miriam Stefania De Rosa•ARTICLE•Études arméniennes contemporaines•2025

    This article analyses the contribution by Yervant Gianikian and Angela Ricci Lucchi to the exhibition Armenity, curated by Adelina Cüberyan v. Fürstenberg for the Armenian pavilion at the Venice Biennale of Art in 2015. Reflecting upon two pieces from the artists, and putting them in relation with both the location on the San Lazzaro Island, and the celebration of the one-hundred-year commemoration of the Armenian genocide, the article proposes t…

  • Making conjunctions

    Open Access•Miriam De Rosa, Catherine Fowler•ARTICLE•Screen•2021

    The article proposes a new framework inspired by topology to read artists' moving images and screen media configurations in the contemporary age

  • Disposition & Duality

    Open Access•Miriam De Rosa•ARTICLE•Aniki Revista Portuguesa da…•2016

    The text provides an account of Blais & Grandmaison's exhibition La vie abstraite, which took place at Galerie René Blouin in Montréal in spring 2016

  • Creative Energies, Creative Industries

    Open Access•Miriam De Rosa•ARTICLE•Aniki Revista Portuguesa da…•2015

    The review tries to take into account the annual NECS Conference held at Università Cattolica del Sacro Cuore in Milan in June 2014. Providing an overview of the attendance and the activities organized by the UCSC crew in association with the colleagues of the University of Udine, the text focuses primarily on the three keynote lectures given in the frame of the initiative by Prof. Raymond Bellour, Prof. Jason Mittel and Prof. Janet Wasko

No prominent works on this page.

  • Creative Energies, Creative Industries

    Open Access•Miriam De Rosa•ARTICLE•Aniki Revista Portuguesa da…•2015

    The review tries to take into account the annual NECS Conference held at Università Cattolica del Sacro Cuore in Milan in June 2014. Providing an overview of the attendance and the activities organized by the UCSC crew in association with the colleagues of the University of Udine, the text focuses primarily on the three keynote lectures given in the frame of the initiative by Prof. Raymond Bellour, Prof. Jason Mittel and Prof. Janet Wasko

  • Disposition & Duality

    Open Access•Miriam De Rosa•ARTICLE•Aniki Revista Portuguesa da…•2016

    The text provides an account of Blais & Grandmaison's exhibition La vie abstraite, which took place at Galerie René Blouin in Montréal in spring 2016

  • Making conjunctions

    Open Access•Miriam De Rosa, Catherine Fowler•ARTICLE•Screen•2021

    The article proposes a new framework inspired by topology to read artists' moving images and screen media configurations in the contemporary age

  • Substantiating Memories

    Open Access•Miriam De Rosa, Miriam Stefania De Rosa•ARTICLE•Études arméniennes contemporaines•2025

    This article analyses the contribution by Yervant Gianikian and Angela Ricci Lucchi to the exhibition Armenity, curated by Adelina Cüberyan v. Fürstenberg for the Armenian pavilion at the Venice Biennale of Art in 2015. Reflecting upon two pieces from the artists, and putting them in relation with both the location on the San Lazzaro Island, and the celebration of the one-hundred-year commemoration of the Armenian genocide, the article proposes t…

Art (3 works) · Art history (3 works) · Exhibition (2 works) · Visual arts (2 works) · Armenian (1 work) · Art, Technology, and Culture (1 work) · Attendance (1 work) · Baroque (1 work) · Composite material (1 work) · Computer Science (1 work)

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